zindagi badli muhabbat ka maza aane laga..Rajkumari- Lata - J. Nakshab - Roshan..a tribute

Film : Anhonee ,1952,
Song : zindagi badli muhabbat kaa maza aane laga..
Lyricist : J. Nakshab ,
Music Director : Roshan,
Director/Writers: Khwaja Ahmad Abbas,(K.A.Abbas)
Cast : Raj Kapoor, Nargis, Agha, Achla Sachdev, Om Prakash, David Arahim, Badri Prashad, Jankidas,
Produced : NAYA SANSAR,
Genre :Love Story,Great Music,

Lyrics :-

zindagi badli
muhabbat kaa mazaa aane lagaa
haay zindagi badli
dil ke tukde ho gaye
har saans tadpaane lagaa
haay zindagi badli
zindagi badli
muhabbat kaa mazaa aane lagaa
haay zindagi badli

sach to ye hai
dil ke haathon
apni qismat ban gayi
apni qismat ban gayi
sach to ye hai
dil ke haathon
apni qismat ban gayi
apni qismat ban gayi
dil ke haathon ye muqaddar
thokaren khaane lagaa
dil ke tukde ho gaye
har saans tadpaane lagaa
haay zindagi badli
zindagi badli
mohabbat kaa mazaa aane lagaa
haay zindagi badli

aaj kitnaa apne munh par
ek dil ko naaz hai
ek dil ko naaz hai
aaj kitnaa apne munh par
ek dil ko naaz hai
ek dil ko naaz hai
ek dil apne kiye par
aap pachhtaane lagaa
dil ke tukde ho gaye
har saans tadpaane lagaa
haay zindagi badli
zindagi badli
mohabbat kaa mazaa aane lagaa
haay zindagi badli
dil ke tukde ho gaye
har saans tadpaane lagaa
haay zindagi badli..

Storyline :-
Lucknow-based impoverished advocate, Rajkumar Saxena[raj kapoor], complains to his landlord about the deplorable condition of his apartment but is instead told by the latter's daughter, Roop[nargis], to pay his outstanding rent for over 6 months or face legal action. He approaches her father, Harnam Singh[adri prashad], who not only lets him live there for free, but also befriends him, and invites him to Roop's birthday party. Roop gets impressed when he sings there and invites him for dinner along with her father. Before he could attend, he is asked to represent a courtesan client, Mohini[nargis], who is facing eviction by her landlord. He finds her resemblance to Roop quite unusual and mentions this during their dinner. This news apparently shocks Harnam, who gets hospitalized and subsequently passes away. Mohini, who is injured in an accident, retains him to sue Roop as she claims to be her sister, but the latter decides to let Mohini move in with her and share the estate...
Written by rAjOo

Rajkumari :-
Rajkumari was born in 1924. She never really had the opportunity to learn to sing, but was always supported by her family.
She was just 10 years old when she recorded her first song for HMV in 1934 and she started her career as a stage artiste.
Vijay Bhatt and Shankar Bhatt of Prakash Pictures spotted her during one of her shows.
They liked her voice and persuaded her to discontinue acting on stage as it would spoil her voice (In those days, there were
no mikes and you had to shout to be heard).
So she quit theatre, and became an employee of Prakash Pictures as an actress and singer.

Rajkumari endured a long dry spell until music director Naushad spotted her singing in the chorus for his background score for Pakeezah (1972).

Naushad was much taken aback by this, having greatly respected her in her heyday, and heartbroken to hear that she was reduced to singing in the chorus to make ends meet. As a result, he gave her an entire song to herself in Pakeezah, Najariya ki Mari. Her last film song was recorded for R. D. Burman in the film Kitaab, Har Din Jo Beeta. Rajkumari also appeared in a British TV programme called 'Mahfil' on Channel 4, a Samandar Films prouduction, produced by Firdous Ali and Mahmood Jamal. In this programme she sang a set of her famous film songs and ghazals; the caption on one of the songs, 'Yeh raat phir na aayge', from the film Mahal, cites that the song was pictured on Zohra[disambiguation needed ] (and not Madhubala or Vijayalaxmi). The programme was aired on 24 March 1991. Rajkumari died in poverty in early 2000.

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