Stephen Stills & Graham Nash - Change Partners / 4+20 / Crossroads - 1983

Acoustic beauty from this duo, recorded live on "Rock and Roll Tonite" on Sept 7, 1983.

Graham William Nash, OBE (born 2 February 1942) is an English singer-songwriter known for his light tenor vocals and for his songwriting contributions with the British pop group The Hollies, and with the folk-rock band Crosby, Stills, Nash & Young. Nash is a photography collector and a published photographer. Nash was inducted to the Rock and Roll Hall of Fame as a member of Crosby, Stills & Nash and as a member of The Hollies in 2010.[1][2]

Nash was appointed Officer of the Order of the British Empire (OBE) in the 2010 Birthday Honours for services to music and to charity.[3

Nash was born in Blackpool, Lancashire, England, in 1942, his mother having been evacuated there from the Nashes' hometown of Salford, Lancashire because of the Second World War. The family subsequently returned to Salford, where Graham grew up. In the early 1960s he was co-founder with schoolfriend Allan Clarke of The Hollies. Nash was a leading 'group figurehead' member of The Hollies, one of the UK's most successful pop and "British Invasion" groups. Credited on the first album as 'Group Leader' and Recognised as a key member of the group, plus their public spokesman, he occasionally took a lead vocal. Nash was featured vocally on 'Just One Look' in 1964, and sang his first lead vocal on the original Hollies song "To You My Love" on the band's second album In The Hollies Style (1964). He then progressed to often singing featured 'bridge vocals' on Hollies recordings; 'So Lonely', 'I've Been Wrong' 1965, 'Pay You Back With Interest' 1966 etc, also by 1966 Nash was providing a few solo lead vocals on Hollies albums & then from 1967 'B' sides to singles.

In 1965 Nash with Allan Clarke & guitarist Tony Hicks formed 'Gralto Music Ltd' a publishing company who handled their own songs and later signed the young Reg Dwight (aka 'Elton John' - who played piano & organ on Hollies 1969 and 1970 recordings after Nash's exit from the group).

Nash led the vocals on Hollies hits such as "On A Carousel" (1966), then was both a featured lead vocal verse singer (along with Allan Clarke & Tony Hicks) and took all three chorus harmony vocal parts on "Carrie Anne" (1967). From 1963 he had instigated The Hollies writing their own songs - initallly with Clarke (Nash's first written song with Clarke being the Everlys-inspired "Whole World Over"), then from 1964 to mid-1966 Clarke-Hicks-Nash wrote as 'L.Ransford', before their own names were credited on songs from "Stop Stop Stop" (October 1966) onwards. Nash wrote or co-wrote many of the band's original songs, most often early on in collaboration with Allan Clarke and also then together with Tony Hicks up to Nash's departure from the band in December 1968.

Nash was pivotal in the forging of a sound and lyrics, often chiefly writing the verses on original team composed Hollies songs showing an obvious hippie influence on The Hollies' albums. However, Nash also wrote solo under the 'team banner' (like Lennon & McCartney), his songs such as "Fifi The Flea" (1966, featuring just Nash's voice and an acoustic guitar), "Clown" (1966), "Stop Right There", "Everything is Sunshine" (1967) and several of his lead vocal songs on the Butterfly album carried little or no trademark harmonies (sometimes just his own harmonies), sometimes scant group accompaniment - "Sunshine", "Relax", etc' - and reflected a singer/songwriter approach, later with songs of an 'escapist' nature ("Away Away Away", "Postcard" etc.). He was disappointed when his transition in sound did not register with the audience that the Hollies played to, including when "King Midas In Reverse" did not gain the popularity he expected it to (Nash had clashed with longtime Hollies producer Ron Richards over this, Richards believing the song was 'too complex' to work as a hit single). Nash greatly influenced the direction of Evolution, and Butterfly, a collection that brought differing opinions on the band's musical direction to the fore.

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