Tosca - Suzuki

!K7 Records/G-Stone Recordings
http://www.k7.com
http://www.g-stoned.com
Suzuki, Released 22 Feb 2000
Amazon ➨ http://amzn.to/2BP6uZr
Apple Music ➨ https://apple.co/2DUrArl
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01 [00:00] Pearl In - Tosca
02 [00:26] Suzuki - Tosca
03 [06:30] Annanas - Tosca
04 [13:04] Orozco - Tosca
05 [18:30] Busenfreund - Tosca
06 [23:46] Honey - Tosca
07 [29:43] Boss On The Boat - Tosca
08 [35:46] John Tomes - Tosca
09 [40:51] Ocean Beat - Tosca
10 [45:23] The Key - Tosca
11 [52:23] Doris Dub - Tosca
12 [56:24] Pearl Off - Tosca

Anna Clementi, Mike Daliot - Vocals
Design [Tosca Logo], Typography [Font] - Foxy Team
Richard Dorfmeister, Rupert Huber - Written-By, Producer

Dedicated to Shunryu Suzuki.

Recorded at G-stone Studio 2 Vienna.
Mastered at Calyx Berlin.

Published by Edition G-stone
© ℗ Tosca Productions
G-stone Recordings 2000

Discogs® http://www.discogs.com
Wikipedia® http://www.wikipedia.org

Suzuki is the second studio album by Austrian duo Tosca, released by Studio !K7 and G-Stone Recordings in 2000. Unlike many of Tosca's subsequent releases, Suzuki is essentially an instrumental album, with vocal samples integrated throughout, but in such a way that they "become a part of the instrumentation.
The album is dedicated to the Zen master Shunryu Suzuki. The dedication can be found on the inside of the front cover.
A dub remix album, Suzuki In Dub, was released in 2002.
It was awarded a gold certification from the Independent Music Companies Association which indicated sales of at least 100,000 copies throughout Europe. -wikipedia.org-

Shunryu Suzuki, respected Japanese Zen master and progenitor of American Buddhism, teaches that everyday life is our Zen training. “To study Buddhism is to study ourselves,” he says, and Tosca’s Suzuki is an aural testament to that edification. Suzuki is the second release from Vienna’s Tosca, made up of Rupert Huber and Richard Dorfmeister (of famed electronica duo Kruder & Dorfmeister). While their first collaborative effort, 1997’s Opera, was sexy and decadent, this album is enlightened and even chaste by comparison. The disc is filled with distant chimes and subtle whispers, creating a downtempo soundtrack for a nourishing meditation session. The Afro-influenced “Annanas” features synthesizer inputs that bleep like clockwork, weaving between pulsating percussion and keyboards. Anna Clementi, whose vocals are featured throughout Suzuki, coos on “Orozco” as if she’s taking a sexy bath. The track warms up with its retro-hip beats but it never raises the temperature too high. It will make you move but it’s just enough to keep you at home. The vocals never permeate the tranquility of the album either. At their most noticeable, like on the track “Honey,” they actually become a part of the instrumentation (“I want my honey”). Suzuki has more grooves than Kruder’s Peace Orchestra, but comparing them would be like comparing children. After two separate (yet equally satisfying) offerings, it will be interesting to see what Kruder and Dorfmeister bring to the table when they return as a duo. -www.slantmagazine.com-

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