How Wong Kar-Wai Shoots A Film At 3 Budget Levels
Wong Kar-Wai's filmmaking is a high energy, super visual expression that channels the spirit of characters, places and emotions in an experimental form.
In this episode I’ll take a look at 3 different films directed by Wong Kar-Wai at 3 increasing budget levels: the low budget As Tears Go By, the medium budget In The Mood For Love, and the high budget The Grandmaster, to identify how his filmmaking progressed throughout his career.
‘In The Mood For Love’ Google Maps Location: https://goo.gl/maps/JCpKcXXY5DzPczPj9
Source: ‘Wong Kar-Wai: Interviews’ Edited By Silver Wai-Ming & Micky Lee
Source: https://www.youtube.com/watch?v=8Rbd7IUY_VE
Source: https://www.youtube.com/watch?v=iDMRB5cCrzY
Source: https://ascmag.com/podcasts/the-grandmaster-philippe-le-sourd-afc
Source: AC Podcast #48, 'The Grandmaster'
MERCH:
Official IDC Merch: https://www.indepthcine.shop/
SOCIALS:
Instagram: https://www.instagram.com/indepthcine/
Patreon: https://www.patreon.com/indepthcine
IDC Website: https://www.indepthcine.com/
My Website: https://www.graykotze.com/
Discord: https://discord.gg/pxP8Yzc
GEAR:
YouTube Gear I Use: https://kit.co/InDepthCine/youtube-gear
Editing Software I Use: http://bit.ly/2LZ60Lo
Music I Use: https://bit.ly/3qCRt7u
Stock Footage: https://bit.ly/3jZHBC0
Cinematography Gear I Use: https://kit.co/InDepthCine/cinematography-gear
MUSIC: https://bit.ly/3qCRt7u
Stanley Gurvich - 'Binary Love'
Liquify - 'Midnight Lofi'
Soundroll - 'Mist'
Yestalgia - 'Memos'
Stefano Mastronardi - 'Thinking Of You'
Norvik - 'Windrifts'
ANBR - 'Youth'
0:00 Introduction
1:11 As Tears Go By
7:27 In The Mood For Love
13:21 The Grandmaster
17:01 Conclusion
DISCLAIMER: Some links in this description are affiliate links. If you purchase a product or service with these links I may receive a small commission without an additional charge to you.
Thank you for supporting my channel so I can continue to provide you with free videos!
Видео How Wong Kar-Wai Shoots A Film At 3 Budget Levels канала In Depth Cine
In this episode I’ll take a look at 3 different films directed by Wong Kar-Wai at 3 increasing budget levels: the low budget As Tears Go By, the medium budget In The Mood For Love, and the high budget The Grandmaster, to identify how his filmmaking progressed throughout his career.
‘In The Mood For Love’ Google Maps Location: https://goo.gl/maps/JCpKcXXY5DzPczPj9
Source: ‘Wong Kar-Wai: Interviews’ Edited By Silver Wai-Ming & Micky Lee
Source: https://www.youtube.com/watch?v=8Rbd7IUY_VE
Source: https://www.youtube.com/watch?v=iDMRB5cCrzY
Source: https://ascmag.com/podcasts/the-grandmaster-philippe-le-sourd-afc
Source: AC Podcast #48, 'The Grandmaster'
MERCH:
Official IDC Merch: https://www.indepthcine.shop/
SOCIALS:
Instagram: https://www.instagram.com/indepthcine/
Patreon: https://www.patreon.com/indepthcine
IDC Website: https://www.indepthcine.com/
My Website: https://www.graykotze.com/
Discord: https://discord.gg/pxP8Yzc
GEAR:
YouTube Gear I Use: https://kit.co/InDepthCine/youtube-gear
Editing Software I Use: http://bit.ly/2LZ60Lo
Music I Use: https://bit.ly/3qCRt7u
Stock Footage: https://bit.ly/3jZHBC0
Cinematography Gear I Use: https://kit.co/InDepthCine/cinematography-gear
MUSIC: https://bit.ly/3qCRt7u
Stanley Gurvich - 'Binary Love'
Liquify - 'Midnight Lofi'
Soundroll - 'Mist'
Yestalgia - 'Memos'
Stefano Mastronardi - 'Thinking Of You'
Norvik - 'Windrifts'
ANBR - 'Youth'
0:00 Introduction
1:11 As Tears Go By
7:27 In The Mood For Love
13:21 The Grandmaster
17:01 Conclusion
DISCLAIMER: Some links in this description are affiliate links. If you purchase a product or service with these links I may receive a small commission without an additional charge to you.
Thank you for supporting my channel so I can continue to provide you with free videos!
Видео How Wong Kar-Wai Shoots A Film At 3 Budget Levels канала In Depth Cine
Показать
Комментарии отсутствуют
Информация о видео
Другие видео канала
![What Makes Anamorphic Lenses Different?](https://i.ytimg.com/vi/URneqmran3I/default.jpg)
![Tips For Shooting A Cinematic Documentary](https://i.ytimg.com/vi/h7eWCkyyNss/default.jpg)
![What A Steadicam Operator Does On Set: Crew Breakdown](https://i.ytimg.com/vi/KcV2YCDBVOk/default.jpg)
![How To Shoot Action: John Wick 4](https://i.ytimg.com/vi/76CYhWqTL8k/default.jpg)
![Q&A: What Do Cinematographers Do On Animated Movies?](https://i.ytimg.com/vi/pK-OzkTm4lY/default.jpg)
![4 Ways To Light Cinematically Without Any Lights](https://i.ytimg.com/vi/SKQLSo2ZIkY/default.jpg)
![Cinematography Style: Bradford Young](https://i.ytimg.com/vi/GLxlD8zScDQ/default.jpg)
![Cinematography Style: Robert Yeoman](https://i.ytimg.com/vi/u_zbD3oOYzE/default.jpg)
![How Filmmakers Use Wireless Video Transmission #Shorts](https://i.ytimg.com/vi/YiTj2utlu6Y/default.jpg)
![Cinematography Style: Janusz Kamiński](https://i.ytimg.com/vi/d9EeX2aSiZI/default.jpg)
![Cinematography Style: Adam Newport-Berra](https://i.ytimg.com/vi/hfVvNFOBCvg/default.jpg)
![Cinematography Style: Sean Bobbitt](https://i.ytimg.com/vi/dooQQ3RxZu4/default.jpg)
![Cinematography Style: Rina Yang](https://i.ytimg.com/vi/Ky8VcbGo4pI/default.jpg)
![Pushing And Pulling Film Explained #Shorts](https://i.ytimg.com/vi/ywjBie-Nx0s/default.jpg)
![Using ND Filters To Control Exposure #Shorts](https://i.ytimg.com/vi/Bnoafo3745Q/default.jpg)
![The Most Popular Cinema Lenses (Part 5): Zeiss, Cooke, Panavision, JDC](https://i.ytimg.com/vi/FiFz74BhhME/default.jpg)
![Cinematography Style: Ellen Kuras](https://i.ytimg.com/vi/iufymUGeXDM/default.jpg)
![Cinematography Style: Robert Elswit](https://i.ytimg.com/vi/_OBgyVhQMYU/default.jpg)
![How To Light A Cinematic Night Interior #Shorts](https://i.ytimg.com/vi/3Xdq562RjqM/default.jpg)
![Cinematography Style: Vittorio Storaro](https://i.ytimg.com/vi/hZI6pYVZfRs/default.jpg)
![What A VT Operator Does On Set: Crew Breakdown](https://i.ytimg.com/vi/LcWse2N9kac/default.jpg)