Ralph Steiner Mechanical Principles 1933

Mechanical Principles (1933) was an abstraction based on gears and machinery.
Born Ralph Steiner
February 8, 1899
Cleveland, Ohio, United States
Died July 13, 1986 (aged 87)
Nationality American
Occupation Photographer

Ralph Steiner (February 8, 1899 -- July 13, 1986) was an American photographer, pioneer documentarian and a key figure among avant-garde filmmakers in the 1930s.

Biography

Born in Cleveland, Steiner studied chemistry at Dartmouth, but in 1921 entered the Clarence H. White School of Modern Photography. White helped Steiner in finding a job at the Manhattan Photogravure Company, and Steiner worked on making photogravure plates of scenes from Robert Flaherty's Nanook of the North. Not long after, Steiner's work as a freelance photographer in New York began, working mostly in advertising and for publications like Ladies' Home Journal. Through the encouragement of fellow photographer Paul Strand, Steiner joined the left-of-center Film and Photo League around 1927. He was also to influence the photography of Walker Evans, giving him guidance, technical assistance, and one of his view cameras[1].

In 1929, Steiner made his first film, H2O, a poetic evocation of water that captured the abstract patterns generated by waves. Although it was not the only film of its kind at the time -- Joris Ivens made Regen (Rain) that same year, and Henwar Rodekiewicz worked on his similar film Portrait of a Young Man (1931) through this whole period -- it made a significant impression in its day and since has become recognized as a classic: H2O was added to the National Film Registry in December 2005. Among Steiner's other early films, Surf and Seaweed (1931) expands on the concept of H2O as Steiner turns his camera to the shoreline; Mechanical Principles (1933) was an abstraction based on gears and machinery.

In 1930, Steiner joined the faculty of the so-called Harry Alan Potamkin Film School, which folded shortly before Potamkin's death in 1933; there he met Leo Hurwitz and, inspired by Hurwitz' ideas of utilizing film as a means of social action, left the Film and Photo League and joined Nykino, a loose coalition of New York based cinematographers who pooled footage for use in left-wing newsreels shown at worker's rallies, conventions and during strikes; precious few of these films have survived. During this time Steiner also worked on some topical, fictional "pool" film satires, including Pie in the Sky (1935), the earliest film to involve the talents of Elia Kazan.

Legacy

Steiner's still photographs are notable for their odd angles, abstraction and sometimes bizarre subject matter; the 1944 image Gypsy & Her Girls is sometimes mistaken for Weegee. His experimental films, however, are considered central to the literature of early American avant-garde cinema, and the influence of Ralph Steiner's visual style continues to assert itself; for example, contemporary avant-garde filmmaker Timoleon Wilkins cites Steiner as an inspiration. In his appreciation of Steiner, author Scott McDonald expands that list to include Dorsky, Andrew Noren, Larry Gottheim and Peter Hutton.[7] The links between the first generation of American avant-garde filmmakers such as Steiner with the second -- exemplified by Maya Deren, Stan Brakhage and others -- are few, but Steiner is among those who managed to bridge the gap.
Filmography

H2O (1929; cinematographer/director)
Mechanical Principles (1930; cinematographer/director)
Surf and Seaweed (1931; cinematographer/director)
Panther Woman of the Needle Trades, or The Lovely Life of Little Lisa (1931; cinematographer/director)
Pie in the Sky (1935; cinematographer/co-director)
Cafe Universal (1936; cinematographer/director)
Granite (1936; cinematographer/director)
Harbor Scenes (1936; cinematographer/director)
Hands (1936; cinematographer/co-director)
The World Today: Black Legion (1936; cinematographer/co-director)
The World Today: Sunnyside (1936; cinematographer/co-director)
The Plow That Broke the Plains (1936; cinematographer)
People of the Cumberland (1938; cinematographer)
The River (1938; cinematographer)
The City (1939; cinematographer/co-director)
New Hampshire Heritage (1940; cinematographer/director)
Youth Gets a Break (1941; cinematographer)
Troop Train (1942; cinematographer/director)
The Joy of Seeing (1960-1975; cinematographer/director), includes:
Seaweed, a Seduction (1960)
One Man's Island (1969)
Glory, Glory (1971)
A Look at Laundry (1971)
Beyond Niagara (1973)
Look Park (1974)
Hooray for Light! (1975)
Showdown (1975)

http://en.wikipedia.org/wiki/Ralph_Steiner

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