The Taking of Pelham 123 2009 Explained In Hindi

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The Taking of Pelham 123 is a 2009 American action thriller film directed by Tony Scott. It is a film adaptation of the novel of the same name by Morton Freedgood (writing under the pseudonym John Godey), and is a remake of the original 1974 film adaptation of the same name, which was also remade in 1998 as a television movie. The film is about a train dispatcher (Denzel Washington), who is pressed into the role of negotiator after a criminal (John Travolta) hijacks a subway car of passengers. Production began in March 2008, and it was released on June 12, 2009.

Box office
The film debuted in the number three spot with approximately US$25 million at the box office in the United States in its opening weekend, in what The New York Times called "an unusually quiet weekend at the box office because of soft ticket sales for The Taking of Pelham 123". The film was beaten out by The Hangover and Up for the number one and number two spots. The Taking of Pelham 123 had a production budget of $100 million and was co-financed with Relativity Media and Sony Pictures. Ben Fritz of the Los Angeles Times commented on the box office results of the film's opening weekend ($23,373,102): "Although far from disastrous, that's a soft start for a film budgeted at more than $100 million." As of January 2019, the film has managed to earn $150,166,126 worldwide.

Critical response
On Rotten Tomatoes, the film has an approval rating of 51% based on reviews from 230 critics, with an average rating of 5.45/10. The site's critical consensus says: "Despite a strong cast, The Taking of Pelham 1 2 3 suffers under the excesses of Tony Scott's frantic direction, and fails to measure up to the 1974 original." On Metacritic the film has a score of 55% based on 33 reviews, which indicates "mixed or average reviews".
Jim Ridley of the Village Voice noted that the new Pelham film was not as good as the original: "Scott's redo comes up short in almost every regard against the '74 model ... If it's somehow unfair to compare the two, why was The Taking of Pelham 123 even remade?"] "As expected, Tony Scott’s hyperkinetic, entirely unnecessary revamp attempts to update Pelham by cranking the volume and inflating the Noo Yawk attitude to a cartoonish level of macho posturing," wrote Sean Burns in Philadelphia Weekly.[19] Writing in New York Press, Armond White was critical of Tony Scott's direction: "Tony Scott’s craft cannot create suspense, it substitutes noise, cursing and brutality." Michael Rechtshaffen of The Hollywood Reporter noted: "Even with the plot's built-in ticking clock, the film relinquishes the tautly calibrated pace in the third act, never to get completely back on track." David Edelstein's review for New York Magazine carried the headline "The Taking of Pelham 123 is not worth running down a flight of subway-station stairs for."

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