Official Dancehall Reggae Sound Clash: Killamanjaro vs David Rodigan [New York] 1997

Official Dancehall Reggae Sound Clash: Killamanjaro vs David Rodigan [New York] 1997
Born Garfield Mckoy, in St. Mary Jamaica, Ricky Trooper is considered a living legend of Sound Clash. Hailing from the Mighty Killamanjaro Sound system, Ricky Trooper is responsible for the "Death" (Career ending) of many sounds.

Ricky started playing for a couple of sounds before joining "Jaro Sound". When he started he had no stage name. When he was young he was a member of a band called the "Magnificent marching band of Troopers". So when he became a selector his former band members called him "Trooper". Eventually after playing for several sounds, Trooper built his own sound and partnered with Papa San, another living legend of Dance hall music. But Ricky`s fame, stardom, and his very name ("Ricky" Trooper), all came from his time spent as selector of the world famous "Killamanjaro Sound System".

Founded in the summer of '69 by Noel Harper aka Papa Jaro, Kilimanjaro which is named after the tallest mountain in the world, became a legend in the Sound System culture. Jaro began as a foundation sound, collecting Studio One riddim`s and Treasure Isle hits. The sound`s name Kilimanjaro, was later changed to Kill-a-man-jaro, on behalf of the many sound system careers they ended in "musical war".

In the early '70s dee jays would play on the big sound systems of Jamaica. Through the '70s and early '80s, the likes of Super Cat, Early B, and Burro Banton could be seen playing on, and "toasting" (chatting) over the riddims played by the Mighty Killamanjaro sound system. Jaro soon became a legendary sound, known for playing the most foundation tunes. Jaro had a whole host of selectors, but it was Ricky Trooper who would join Jaro and show the world the strength of the tallest mountain....!!!

When Garfield Mckoy (Trooper) joined Jaro, Junior Cat was a dee jay for Jaro and he didn't have his famous name (Ricky Trooper) yet. Junior Cat spoke with a lisp and he couldn't properly pronounce "Trooper". So as he would introduce Trooper on stage to play, he would call him "Ricky", hence the legend of Ricky Trooper began.

For over 35 years David Rodigan has been the top dog in the ganja-scented, bass heavy-atmosphere of Britain’s reggae dance-halls. The key to his success has been an unsinkable passion for reggae music, which first took a hold of him as a schoolboy when he heard ska music in the early ’60s.

He developed an obsession with the music of Jamaica that generated an encyclopaedic knowledge of the island’s every artist, every song and every rhythm track.

His earliest experience of dee jaying was during lunch breaks once a week in the gym at Gosford Hill School in Kidlington, Oxford. On leaving school he landed a place at the Rose Bruford College of Speech and Drama in 1971, where he spent three years studying to become an actor. He worked extensively in repertory theatre and appeared in a number of television productions such as ‘Doctor Who’ (BBC) and ‘Shackleton’ (BBC); he also performed his one-man show ‘Zima Junction’ at literature festivals and theatres in the 1970s; a dramatisation of the poem by the Russian writer Yevtushenko.

Rodigan began his reggae broadcasting career in 1978 on BBC Radio London. He moved to Capital Radio in 1979 and remained there for eleven years broadcasting his legendary ‘Roots Rockers’ show every Saturday night. His credibility was ensured when he began clashing with Jamaica’s champion DJ, Barry G on JBC Radio in Jamaica. He then went on to clash with all the top Jamaican sound systems in the West Indies, the USA and England and in 2012 he won the ultimate clash victory when he took the Champion Trophy at World Clash Reset in New York.

In 1984 he joined BFBS (British Forces Broadcasting Corp) where broadcast his weekly reggae show for 25 years until 2009.

In 1990 he joined the newly legalised Kiss 100 where he presented a variety of daytime shows for 10 years before kicking back to his weekly reggae show, which he broadcast for another 12 years until 2012. Having seen his show reduced from 2 hours to 1 hour in 2011 he resigned in protest at the marginalising of reggae music when the show was re-scheduled into the twi-light zone of broadcasting, midnight – 1am in November 2012.

In February 2013 he joined the BBC to present a new weekly reggae show on Radio 1Xtra on Sundays between 7 and 9pm and also a summer season of classic ska, rock steady and reggae on BBC Radio 2.

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