La traviata - 'Sempre libera' (Verdi; Renée Fleming, The Royal Opera)
Renée Fleming as Violetta Valéry sings Sempre Libera (Always Free) from Verdi's opera La traviata. Violeta debates whether she loves Alfredo (Joseph Calleja) - heard here offstage - but concludes she needs to be free. Find out more at http://www.roh.org.uk/productions/la-traviata-by-richard-eyre
‘A toast to the pleasures of life!’ – so sings Violetta, her new admirer Alfredo and her party guests in the opening scene of Giuseppe Verdi’s La traviata. But beneath the surface glamour of Violetta’s Parisian life run darker undercurrents: her doomed love for Alfredo and the tensions the lovers encounter when they break society’s conventions. La traviata, based on Alexandre Dumas fils’s play La Dame aux camélias, is one of Verdi’s most popular operas, combining drama, profound emotion and wonderful melodies.
Richard Eyre’s classic production conveys the indulgent social whirl of 19th-century Paris. It provides a vivid setting for Verdi’s tuneful score, which includes such favourites as Violetta’s introspective ‘Ah fors’è lui’ and ecstatic ‘Sempre libera’; the duet ‘Pura siccome un angelo’ as Giorgio Germont begs Violetta to leave Alfredo; and ‘Parigi, o cara’, in which the lovers poignantly imagine a life that will never be theirs. The role of Violetta (the ‘fallen woman’ of the title) is one of Verdi’s most complex and enduring characters.
Видео La traviata - 'Sempre libera' (Verdi; Renée Fleming, The Royal Opera) канала Royal Opera House
‘A toast to the pleasures of life!’ – so sings Violetta, her new admirer Alfredo and her party guests in the opening scene of Giuseppe Verdi’s La traviata. But beneath the surface glamour of Violetta’s Parisian life run darker undercurrents: her doomed love for Alfredo and the tensions the lovers encounter when they break society’s conventions. La traviata, based on Alexandre Dumas fils’s play La Dame aux camélias, is one of Verdi’s most popular operas, combining drama, profound emotion and wonderful melodies.
Richard Eyre’s classic production conveys the indulgent social whirl of 19th-century Paris. It provides a vivid setting for Verdi’s tuneful score, which includes such favourites as Violetta’s introspective ‘Ah fors’è lui’ and ecstatic ‘Sempre libera’; the duet ‘Pura siccome un angelo’ as Giorgio Germont begs Violetta to leave Alfredo; and ‘Parigi, o cara’, in which the lovers poignantly imagine a life that will never be theirs. The role of Violetta (the ‘fallen woman’ of the title) is one of Verdi’s most complex and enduring characters.
Видео La traviata - 'Sempre libera' (Verdi; Renée Fleming, The Royal Opera) канала Royal Opera House
Показать
Комментарии отсутствуют
Информация о видео
Другие видео канала
Renee Fleming - È strano...Sempre Libera "La Traviata"La traviata: 'Brindisi' ('The Drinking Song') – GlyndebourneRenée Fleming: Casta Diva (Bellini)1993 Pavarotti Verdi La Traviata - BrindisiThe Magic Flute – Queen of the Night aria (Mozart; Diana Damrau, The Royal Opera)La traviata - 'Parigi, o cara' (The Royal Opera)[11회]펜트하우스 오윤희 목소리! 성악가 권가민-Sempre Libera#너의목소리가보여8 | I Can See Your Voice 8 EP.11 | Mnet 210409 방송Maria Callas Incredible ! La Traviata London 1958 , Rec Private Wonderful Sound Titonut 2017Sumi Jo - 'Ah fors's e lui... Sempre libera - La TraviataLisette Oropesa sings "Sempre libera" (La traviata)펜트하우스 TOP9 공연 모음이 도착했습니다🎁 하늘이 내린 천상의 목소리는 누규~? #펜트하우스2 #SBScatchMaria Callas Una Voce Poco Fa Barbiere di Siviglia G. RossiniPatricia JANEČKOVÁ: "Les oiseaux dans la charmille" (Jacques Offenbach - Les contes d' Hoffmann)La Traviata: “Libiamo, ne’ lieti calici”Puccini: “O mio babbino caro” / Fleming · Marin · Berliner PhilharmonikerProfessional Vs Beginner Opera SingerNon piu andrai, farfallone amoroso (Ruggiero Raimondi)Isyana Sarasvati - Opera Arias - Frühlingsstimmen - Walzer, Op. 410 - Johann Strauss IIThe Best of Verdi -150 minutes of Classical Music . HQ RecordingTop 10 Opera Songs