You DON'T NEED a "Full Frame" Cinema Camera
5 Reasons You DON’T need a “FULL FRAME” Cinema Camera.
The Sony Fx9, Fx6, F3, A7s3… Three of which have the same sensor… The c500mkii, The Panasonic S1H, The Alexa LF, The Red Monstro and now Raptor, the Kinefinity Mavo Edge… You get the point. Large format, Vista vision, Full frame (Stills full frame! I don’t consider super 35 to have a crop for cinema, it’s the traditional standard don’t crucify me).
Anyway, large format has not just arrived but is now a widely available standard available to filmmakers at all levels… and low budget filmmakers stand to benefit from bucking the trend and sticking with Super35…
I know what you’re thinking. I gotsta get that creamy bokeh, I gotsta make sure the eyes are crisp and the ears are softer than a freshly laid turd... I gotsta have it because that’s the future and I’ve got to get onboard or my work wont look as good. I'm calling BS on our full frame GAS (gear acquisition syndrome - for anyone unfamiliar).
Gear we use on Corporate and Commercial work
https://kit.co/Alucinor/gear-for-work
Core YouTube gear
https://kit.co/Alucinor/core-youtube-kit
SmallRig affiliate link
https://www.smallrig.com?afmc=2zj
00:00 Intro
00:41 Independent filmmakers stand to benefit from Super 35
02:17 An Arri perspective
03:23 The best value digital cinema camera today (Hint BMP...)
04:16 Over the top shallow depth of field can be impractical
05:31 Cheaper lenses (sort of… sometimes)
07:22 There’s so much more to the final image than the camera
08:35 Large format wont make your film “better”
09:14 Closing thoughts
YouTube Studio gear
YouTube Camera - https://geni.us/FujiFilm-XT3
YouTube lens - https://geni.us/FujiFilm16-55m
YouTube card - https://geni.us/SDcardsforFuj
YouTube light - https://geni.us/Aputure120dmkii
YouTube Diff - https://geni.us/Aputurelightdome
YouTube Mic - https://geni.us/Audio-TechnicaAT4053B
Corporate and Commercial Cameras
A-Camera - https://geni.us/UrsaMiniProG2
B-Camera - https://geni.us/BMPCC6kproBESTVALUES3
C-Camera - https://geni.us/BMPC6Korigina
Cards - https://geni.us/Cfast2cards
Lenses for Blackmagic Cameras
The must have one - https://geni.us/TheSuper35mmzoomlens
The stabilized one - https://geni.us/TheFullFrameEFZoom
The telephoto one - https://geni.us/Sigma50-100
The bigger light - https://geni.us/Aputure300dmkii
The other mic - https://geni.us/RodeNTG3shotgu
The Greatest piece of gear ever - https://geni.us/thebestever
The RAID - https://geni.us/ShuttleXLRAID
*Disclosure: We only recommend products we use ourselves and all opinions expressed here are our own. This video description contains affiliate links that at no additional cost to you, allows us to earn a commission.
Видео You DON'T NEED a "Full Frame" Cinema Camera канала Alucinor Productions
The Sony Fx9, Fx6, F3, A7s3… Three of which have the same sensor… The c500mkii, The Panasonic S1H, The Alexa LF, The Red Monstro and now Raptor, the Kinefinity Mavo Edge… You get the point. Large format, Vista vision, Full frame (Stills full frame! I don’t consider super 35 to have a crop for cinema, it’s the traditional standard don’t crucify me).
Anyway, large format has not just arrived but is now a widely available standard available to filmmakers at all levels… and low budget filmmakers stand to benefit from bucking the trend and sticking with Super35…
I know what you’re thinking. I gotsta get that creamy bokeh, I gotsta make sure the eyes are crisp and the ears are softer than a freshly laid turd... I gotsta have it because that’s the future and I’ve got to get onboard or my work wont look as good. I'm calling BS on our full frame GAS (gear acquisition syndrome - for anyone unfamiliar).
Gear we use on Corporate and Commercial work
https://kit.co/Alucinor/gear-for-work
Core YouTube gear
https://kit.co/Alucinor/core-youtube-kit
SmallRig affiliate link
https://www.smallrig.com?afmc=2zj
00:00 Intro
00:41 Independent filmmakers stand to benefit from Super 35
02:17 An Arri perspective
03:23 The best value digital cinema camera today (Hint BMP...)
04:16 Over the top shallow depth of field can be impractical
05:31 Cheaper lenses (sort of… sometimes)
07:22 There’s so much more to the final image than the camera
08:35 Large format wont make your film “better”
09:14 Closing thoughts
YouTube Studio gear
YouTube Camera - https://geni.us/FujiFilm-XT3
YouTube lens - https://geni.us/FujiFilm16-55m
YouTube card - https://geni.us/SDcardsforFuj
YouTube light - https://geni.us/Aputure120dmkii
YouTube Diff - https://geni.us/Aputurelightdome
YouTube Mic - https://geni.us/Audio-TechnicaAT4053B
Corporate and Commercial Cameras
A-Camera - https://geni.us/UrsaMiniProG2
B-Camera - https://geni.us/BMPCC6kproBESTVALUES3
C-Camera - https://geni.us/BMPC6Korigina
Cards - https://geni.us/Cfast2cards
Lenses for Blackmagic Cameras
The must have one - https://geni.us/TheSuper35mmzoomlens
The stabilized one - https://geni.us/TheFullFrameEFZoom
The telephoto one - https://geni.us/Sigma50-100
The bigger light - https://geni.us/Aputure300dmkii
The other mic - https://geni.us/RodeNTG3shotgu
The Greatest piece of gear ever - https://geni.us/thebestever
The RAID - https://geni.us/ShuttleXLRAID
*Disclosure: We only recommend products we use ourselves and all opinions expressed here are our own. This video description contains affiliate links that at no additional cost to you, allows us to earn a commission.
Видео You DON'T NEED a "Full Frame" Cinema Camera канала Alucinor Productions
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