The Denver Airport Murals

The murals are fairly shocking. Here we have refugees living in a basement and the Lord of Death, brandishing an AK-47, killing the dove of peace.
Gray waves pulse from the figure, the waves pulse outward, killing everybody in its path. The figure wears a gas mask implying the gray waves, the instrument of death in this case, is a biological weapon.
Set against the backdrop of a solar flare and horrific destruction, not to mention the extinction of various species including whales and sea turtles, children are in the center sobbing over three open caskets.
You’ll notice there is a little girl in the back right holding a Mayan tablet alluding to Dec. 21, 2012, the end of the world. But the Mayans also predict a ‘rebirth’ which is why some life, such as the penguin and bird, are being preserved. Oh, and let’s not overlook the city being destroyed in the background.
All of the children of the world bring in the weapons from their country, handing them to a German boy. The gas mask man from the previous scene is now dead, two doves perched on his body. All of the children appear to be relieved. The deeper metaphor is the return to peace, a rebirth; there will be no more need for weapons in the new world.
The final mural is oddly reminiscent of the Garden of Eden, the world now lives in peace after the horrific events that have taken place. All the murals, when viewed in sequence, depict a massive genocide followed by the formation of a now less-populated, harmonious new world.

Видео The Denver Airport Murals канала Tony Callucii