Liszt - Marche et Cavatine de Lucia de Lammermoor, S398 (Wolfram)
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Liszt’s original Lucia fantasy turned out to be so large that the publisher insisted (against Liszt's wishes) on it being split into two works - the Réminiscences de Lucia di Lammermoor S397, and the Marche et Cavatine de Lucia de Lammermoor S398 - and thus the similarity of their codas will not go unnoticed. The musical material which is used is taken from the scena and final aria of Act III, and from the finale of Act II, but the nine bars of introduction, with their muffled tremolos and biting chromaticism, are Liszt's invention. Overall, Liszt's fantasy is astonishing in its substantial preservation of the sense of drama, which all culminates in the stupefying FFFF intrusion of the accompaniment figure from the Sextet as a coup de théâtre (09:54), which no doubt would have brought the house down when performed by Liszt.
Видео Liszt - Marche et Cavatine de Lucia de Lammermoor, S398 (Wolfram) канала Andrei Cristian Anghel
Liszt’s original Lucia fantasy turned out to be so large that the publisher insisted (against Liszt's wishes) on it being split into two works - the Réminiscences de Lucia di Lammermoor S397, and the Marche et Cavatine de Lucia de Lammermoor S398 - and thus the similarity of their codas will not go unnoticed. The musical material which is used is taken from the scena and final aria of Act III, and from the finale of Act II, but the nine bars of introduction, with their muffled tremolos and biting chromaticism, are Liszt's invention. Overall, Liszt's fantasy is astonishing in its substantial preservation of the sense of drama, which all culminates in the stupefying FFFF intrusion of the accompaniment figure from the Sextet as a coup de théâtre (09:54), which no doubt would have brought the house down when performed by Liszt.
Видео Liszt - Marche et Cavatine de Lucia de Lammermoor, S398 (Wolfram) канала Andrei Cristian Anghel
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