Behringer WING Digital Mixer Overview 🎛

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The Behringer WING is a 48-stereo-channel digital mixer that’s both ultra-powerful and incredibly easy to use. Benefit from first-class hands-on control of the Behringer WING, thanks to 24 smooth-feeling motorized 100mm faders, a capacitive touchscreen, adjustable display wheel, and touch-sensitive rotary controls. Capture sound with the utmost in quality, courtesy of eight MIDAS Pro mic preamps, while a bevy of digital I/O options provide near-limitless connectivity. Record up to 64 channels directly to dual-SD cards, use optional expansion cards to attain Dante, SoundGrid, or MADI support, or deploy the WING’s built-in 48-in/48-out USB audio interface to record straight to your DAW. Getting around the Behringer WING is a breeze, thanks to its intuitive Sources, which put the emphasis on your source audio rather than the nuts and bolts of your mix. The Behringer WING comes complete with 16 true-stereo processors with standard and classic modeled effects, the Behringer WING is a top-shelf digital console that will elevate your live sound capabilities.

Behringer WING — made for the way you want to work

Digital mixers like the Behringer WING are insanely powerful; thus they can seem intimidating. But that’s not the case with the Behringer WING. Despite its deep feature set, it’s a breeze to navigate. Its interface centers around a large capacitive touchscreen that’s augmented by touch-sensitive rotary controls. Best of all, the Behringer WING has three fader sections and Custom Controls section that can be tailored to your personal requirements. It doesn’t get much more intuitive than that! Whether you require a specific bus send fader next to the corresponding channel fader, or a meticulously configured custom channel that’s always at the ready, the Behringer WING is made for the way you want to work.

Sources on the Behringer WING make navigation simple

The Behringer WING is jam-packed with I/O — 374 inputs and outputs, to be exact. And if you include its internal signals, the Behringer WING includes 400 inputs and outputs. Faced with this much I/O, Behringer’s engineering team reimagined the flow of a traditional mixer, putting the emphasis on your source audio, using what Behringer calls — quite fittingly — Sources. In the Behringer WING, inputs are much more than historical inputs, because they contain metadata on what the Source is — tags, input icon, input color, gain, phantom power, and if the Source is mono, stereo, or mid-side. All of that information follows the Source to any channel on the Behringer WING. With one simple button, that information can be copied to the channel, and the tags, icon, color, and other metadata show up on the channel immediately. If you move a Source to another channel on the Behringer WING, the information goes with it, no need for old fashioned copying and pasting.

The implementation is carefully thought out, as well. Let’s face it, labeling and gain-staging 374 Sources can take some time. The workload can be easily split between two people as the Behringer WING is ready for dual operators. One person can be in charge of labeling the channels, including name, icon, color, tags, multiple mute groups, mono/stereo/mid-side configuration, and more. Using the 4-channel area of the Behringer WING as a separate work area, a second person can be in charge of gain-staging and determining phantom power for each source. To make things easier still, this can also be done from the Behringer WING Co-Pilot tablet app to label or set any of the parameters while patching from the stage. The beauty of this is whether you are looking at a channel, SD recorder, or any other output, you will always see and be able to refer to the Source.

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