Avoid THESE MISTAKES When Shooting in S-Log3

Sony S-Log3 exposing and workflow ultimate guide.

If you're a Sony camera owner aiming for the best video image quality, understanding S-Log3 is crucial. This ultimate guide breaks down the nuances of using Sony s-log3, including correct exposure, underexposed and properly exposed S-Log3 comparison, why should you use S-Log3 with your Sony camera, is the Sony's ProRes RAW video giving you better dynamic range than S-Log3, which Log Shooting Mode is better - Picture Profile, Flexible ISO or Cine EI, does Cine EI extend dynamic range, is noise in the image normal, how to perfectly expose S-Log3 and why you shouldn't trust Gamma Assist and metering mode. Also I'll share a Free LUT for S-Log3 that I've been using for exposing and color grading for more than 5 years and get great results, I'll also explain the easiest ways and best tools to expose S-Log3 correctly, we'll talk about dynamic range shift at non-native ISOs and filming in S-Log3 in lowlight! Enjoy watching Sony S-Log3 workflow tutorial and guide.

Free Alister Chapman's LUT - https://drive.google.com/file/d/1cFbweZbKcJKAj_BVrsL8331qfhejG0uL/view?usp=sharing

S-Log2 with 8-bit cameras tutorial - https://youtu.be/PAqw0BaWaF8

How to colorgrade S-Log3 - https://youtu.be/4EOp1DVExZ0

Cleaner image at ANY ISO! The Secret technique! - https://youtu.be/dYu8umm8MJo

Watch the Sony 16-50mm f3.5-5.6 Kit OSS ii vs Sony 16-55mm f2.8 G vs Sigma 17-40mm f1.8 Art vs Tamron 17-70mm f2.8 VC vs Sigma 18-50mm f2.8 vs Sony 18-105mm f4 G comparison - https://youtu.be/V00m2TGtfpM

00:00 - S-Log3 - How to get the most out of your Sony Camera?
00:15 - Why use S-Log3?
01:10 - Does RAW video have more Dynamic Range?
01:40 - S-Log3 Color Accuracy vs S-Cinetone, PP off and HLG
02:30 - Dynamic Range
03:14 - Do bit depth and color subsampling effect dynamic range?
03:30 - Options to shoot in LOG - Picture Profile vs Cine EI vs Flexible ISO
05:00 - Does Cine EI improve image quality?
05:45 - Yes, noise in footage is NORMAL!
06:37 - How to expose S-Log3 CORRECTLY!
07:50 - Beware those ISO’s in Flexible ISO mode!
08:18 - Exposing correctly makes a HUGE difference!
08:45 - Easiest way to expose correctly!
09:15 - The best LUT for S-Log3 filmmaking!
09:40 - Why you don’t need to use Gamma Display Assist!
10:20 - Should I bake-in the LUT?
10:40 - Biggest mistake beginners make with S-Log3!
11:30 - Why Zebra is the best tool for exposing S-Log?
12:23 - Zebra and non-native ISO, Dynamic Range shift
13:38 - Why I don’t use Histogram?
14:03 - Should I film in S-Log3 in lowlight?
15:15 - Should I shoot in S-Log3 straight away?
15:43 - How to color grade S-Log3?

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