"Symphonia Domestica" by Richard Strauss (Audio + Sheet Music)

pf: George Szell cond/ Cleveland Orchestra

0:00 - Thema I, II, III
4:49 - Scherzo
16:25 - Adagio - Langsam
28:10 - Finale

Symphonia Domestica (Domestic Symphony), Op. 53, is a tone poem for large orchestra by Richard Strauss. The work is a musical reflection of the secure domestic life so valued by the composer himself and, as such, harmoniously conveys daily events and family life.

In 1898, Strauss became the chief conductor of the Royal Court Opera in Berlin. It was at this point in his life that the composer took a keen interest in his own circumstances and turned his attention to his status and personal history. When he began composing the Symphonia Domestica, he intended it to be the sequel to A Hero's Life, the next installment of the autobiography of the now-successful artist. Of it, Strauss said "My next tone poem will represent a day in my family life. It will be partly lyrical, partly humorous – a triple fugue will bring together Papa, Mama and Baby."

He worked on the piece during 1903, finishing it on New Year's Eve, in Charlottenburg.

Strauss reserved the premiere for his American tour in 1904, and Carnegie Hall in New York was booked. He would conduct it himself. Originally the premiere was scheduled for March 9, but the orchestral parts were delayed, so it was postponed to March 21. The later date allowed more rehearsals, of which 15 were required before Strauss was satisfied. The Wetzler Symphony Orchestra was adequate, but not much more. During a performance of his Don Quixote two nights earlier, the orchestra had broken down in the middle of the piece.

Nevertheless, the performance was a great success, so much so that he was prevailed upon to conduct two more performances in Wanamaker's department store in New York, on 16 and 18 April, for a fee of $1,000. An entire sales floor had to be cleared to make way for the huge orchestra, and the concerts attracted audiences of 6,000 people. The New York and German press were very critical, not just of these exhibitions but of the very work itself, regarding them as a blatant commercialization of the sacred art of music and the intimacy of family life. Strauss responded: "True art ennobles this Hall, and a respectable fee for his wife and child is no disgrace even for an artist".

SOURCE: https://en.wikipedia.org/wiki/Symphonia_Domestica

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