My 8 Favorite Sounds with Enzo by Meris
Until Enzo arrived I didn't realize just how much I needed a synth pedal in my effects chain. Since a lot of what I do is live-looping, it's important to be able to introduce new musical ideas and textures across the audible spectrum without muddying things up or getting too cluttered. Enzo delivers that and then some. With this pedal in your arsenal, you get more than just a vast array of synth sounds but powerful tone-shaping filters, a pitch-shifter that spans 4 octaves, and stereo delay pedal. No doubt Enzo takes synth pedals to the next level.
The same rules that apply to all Fiddling with Knobs apply here. No tweaking or tone sweetening took place after the initial recording. I use a TC Electronic Hall of Fame so you can clearly see how much reverb is being added. All settings are shared below so you can try them out if you like.
Links to my Bandcamp and Soundcloud are below if you want free downloads of my more recent live loops.
https://soundcloud.com/beherenowambient
https://beherenowambient.bandcamp.com
I play:
Squier - Classic Vibe 60's Strat
Meris - Enzo
TC Electronic - Hall of Fame reverb
Line 6 - Helix LT (for amp modeling)
PhantomoftheEnzo
Mode - Poly
Synth Wave Shape - Saw
Pitch - -OCT
Mix - Max
Filter Type - Ladder Shelving Bandpass
Filter - Noon
Sustain - 9 o’ clock
Envelope Type - Dry
Filter Env - off
Modulation - 11 o’clock
Delay - Max
Delay Feedback - 9 o’clock
Portamento - off
Ring Modulation - off
Filter Bandwidth (Resonance) - Noon
TinyMonsters!
Mode - Mono
Synth Wave Shape - Square
Pitch - +2 OCT
Mix - 8:30 o’clock
Filter - 1 o’clock
Filter Type - Ladder Shelving Bandpass
Envelope Type - Envelope Follower
Sustain - Noon
Filter Env - 11 o’clock
Modulation - 3 o’clock
Delay - 2 o’clock
Delay Feedback - 2 o’clock
Portamento - 3 o’clock
Ring Modulation - 10 o’clock
Filter Bandwidth (Resonance) -Max
SparkilyArp
Mode - Arp
Synth Wave Shape - Saw
Pitch - +2 Oct
Mix - 9 o’ clock
Filter - 2 o’ clock
Filter Type - State Variable Lowpass
Sustain - 3 o’clock
Filter Env - 9 o’clock
Modulation - 11 o’clock
Delay - 2 o’clock
Delay Feedback - Noon
Portamento - off
Ring Modulation - off
Filter Bandwidth (Resonance) - 9 o’clock
ExtraterrestrialUnderground
(Expression Toe)
Mode - Dry
Synth Wave Shape - x
Pitch - +1 Oct
Mix - Noon
Filter - 3 o’clock
Filter Type - State Variable Lowpass
Envelope Type - Triggered Envelope
Sustain - Noon
Filter Env - 1 o’clock
Modulation - 10 o’clock
Delay - 10 o’clock
Delay Feedback - Noon
Portamento - 9 o ‘clock
Ring Modulation - off
Filter Bandwidth (Resonance) - 2 o’clock
(Expression Heel)
Mode - Dry
Synth Wave Shape - x
Pitch - 0
Mix - Noon
Filter - 1 o’ clock
Filter Type - State Variable Lowpass
Sustain - Noon
Filter Env - 1 o’clock
Modulation - 10 o’clock
Delay - 10 o’clock
Delay Feedback - Noon
Portamento - 4 o ‘clock
Ring Modulation - off
Filter Bandwidth (Resonance) - 9 o’clock
PolyBoom
Mode - Poly
Synth Wave Shape - Saw
Pitch - 0
Mix - 11 o’ clock
Filter Type - State Variable Lowpass
Filter - Noon
Sustain - 3 o’clock
Env Type - Dry
Filter Env - 3 o’ clock
Modulation - 9 o’ clock
Delay - Off
Delay Feedback - Off
Portamento - off
Ring Modulation - Off
Filter Bandwidth (Resonance) - off
ThomBass
Mode - Mono
Synth Wave Shape - Square
Pitch - -Oct
Mix - Max
Filter - 3 o’ clock
Filter Type - Ladder Lowpass
Envelope Type - Triggered Envelope
Sustain - Min
Filter Env - 11 o’clock
Modulation - 8 o’clock
Delay - 9 o’clock
Delay Feedback - Min
Portamento - Off
Ring Modulation - Off
Filter Bandwidth (Resonance) - Off
FilterArp
Mode - Arp
Synth Wave Shape - Saw
Pitch - 0
Mix - Max
Filter - 3 o’ clock
Filter Type - 1 o’ clock
Sustain - Max
Filter Env - 2 o’clock
Modulation - 11 o’clock
Delay - 2 o’clock
Delay Feedback - Noon
Portamento - off
Ring Modulation - off
Filter Bandwidth (Resonance) - 9 o’clock
RingMod
Mode - Dry
Synth Wave Shape - x
Pitch - +2
Mix - Max
Filter - Noon
Filter Type - State Variable Highpass
Envelope Type - Envelope Follower
Sustain - 2 o’clock
Filter Env - off
Modulation - Noon
Delay - Max
Delay Feedback - 2 o’clock
Portamento - off
Ring Modulation - Max
Filter Bandwidth (Resonance) - off
Видео My 8 Favorite Sounds with Enzo by Meris канала Be Here Now
The same rules that apply to all Fiddling with Knobs apply here. No tweaking or tone sweetening took place after the initial recording. I use a TC Electronic Hall of Fame so you can clearly see how much reverb is being added. All settings are shared below so you can try them out if you like.
Links to my Bandcamp and Soundcloud are below if you want free downloads of my more recent live loops.
https://soundcloud.com/beherenowambient
https://beherenowambient.bandcamp.com
I play:
Squier - Classic Vibe 60's Strat
Meris - Enzo
TC Electronic - Hall of Fame reverb
Line 6 - Helix LT (for amp modeling)
PhantomoftheEnzo
Mode - Poly
Synth Wave Shape - Saw
Pitch - -OCT
Mix - Max
Filter Type - Ladder Shelving Bandpass
Filter - Noon
Sustain - 9 o’ clock
Envelope Type - Dry
Filter Env - off
Modulation - 11 o’clock
Delay - Max
Delay Feedback - 9 o’clock
Portamento - off
Ring Modulation - off
Filter Bandwidth (Resonance) - Noon
TinyMonsters!
Mode - Mono
Synth Wave Shape - Square
Pitch - +2 OCT
Mix - 8:30 o’clock
Filter - 1 o’clock
Filter Type - Ladder Shelving Bandpass
Envelope Type - Envelope Follower
Sustain - Noon
Filter Env - 11 o’clock
Modulation - 3 o’clock
Delay - 2 o’clock
Delay Feedback - 2 o’clock
Portamento - 3 o’clock
Ring Modulation - 10 o’clock
Filter Bandwidth (Resonance) -Max
SparkilyArp
Mode - Arp
Synth Wave Shape - Saw
Pitch - +2 Oct
Mix - 9 o’ clock
Filter - 2 o’ clock
Filter Type - State Variable Lowpass
Sustain - 3 o’clock
Filter Env - 9 o’clock
Modulation - 11 o’clock
Delay - 2 o’clock
Delay Feedback - Noon
Portamento - off
Ring Modulation - off
Filter Bandwidth (Resonance) - 9 o’clock
ExtraterrestrialUnderground
(Expression Toe)
Mode - Dry
Synth Wave Shape - x
Pitch - +1 Oct
Mix - Noon
Filter - 3 o’clock
Filter Type - State Variable Lowpass
Envelope Type - Triggered Envelope
Sustain - Noon
Filter Env - 1 o’clock
Modulation - 10 o’clock
Delay - 10 o’clock
Delay Feedback - Noon
Portamento - 9 o ‘clock
Ring Modulation - off
Filter Bandwidth (Resonance) - 2 o’clock
(Expression Heel)
Mode - Dry
Synth Wave Shape - x
Pitch - 0
Mix - Noon
Filter - 1 o’ clock
Filter Type - State Variable Lowpass
Sustain - Noon
Filter Env - 1 o’clock
Modulation - 10 o’clock
Delay - 10 o’clock
Delay Feedback - Noon
Portamento - 4 o ‘clock
Ring Modulation - off
Filter Bandwidth (Resonance) - 9 o’clock
PolyBoom
Mode - Poly
Synth Wave Shape - Saw
Pitch - 0
Mix - 11 o’ clock
Filter Type - State Variable Lowpass
Filter - Noon
Sustain - 3 o’clock
Env Type - Dry
Filter Env - 3 o’ clock
Modulation - 9 o’ clock
Delay - Off
Delay Feedback - Off
Portamento - off
Ring Modulation - Off
Filter Bandwidth (Resonance) - off
ThomBass
Mode - Mono
Synth Wave Shape - Square
Pitch - -Oct
Mix - Max
Filter - 3 o’ clock
Filter Type - Ladder Lowpass
Envelope Type - Triggered Envelope
Sustain - Min
Filter Env - 11 o’clock
Modulation - 8 o’clock
Delay - 9 o’clock
Delay Feedback - Min
Portamento - Off
Ring Modulation - Off
Filter Bandwidth (Resonance) - Off
FilterArp
Mode - Arp
Synth Wave Shape - Saw
Pitch - 0
Mix - Max
Filter - 3 o’ clock
Filter Type - 1 o’ clock
Sustain - Max
Filter Env - 2 o’clock
Modulation - 11 o’clock
Delay - 2 o’clock
Delay Feedback - Noon
Portamento - off
Ring Modulation - off
Filter Bandwidth (Resonance) - 9 o’clock
RingMod
Mode - Dry
Synth Wave Shape - x
Pitch - +2
Mix - Max
Filter - Noon
Filter Type - State Variable Highpass
Envelope Type - Envelope Follower
Sustain - 2 o’clock
Filter Env - off
Modulation - Noon
Delay - Max
Delay Feedback - 2 o’clock
Portamento - off
Ring Modulation - Max
Filter Bandwidth (Resonance) - off
Видео My 8 Favorite Sounds with Enzo by Meris канала Be Here Now
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