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Debut and stardom (1973)Edit

Kapadia, who was an avid movie viewer, aspired to be an actor since childhood.[15] Her acting career was initiated by her father, who socialised with film-industry professionals and frequented parties hosted by screenwriter Anjana Rawail.[11][36] Through his contacts, Dimple was almost cast to play the younger version of Vyjayanthimala's character in H. S. Rawail's Sunghursh (1968), but was eventually rejected because she looked older than the part called for.[11] After she turned down an offer to play the protagonist in Hrishikesh Mukherjee's Guddi in 1970, another opportunity arose in 1971 when Raj Kapoor was looking for a young, new female lead for his planned teen romance. Munni Dhawan, a close friend of Kapoor, suggested he consider Kapadia, having been acquainted with her father.[37][36] In June that year, at the age of 14, Kapadia performed a screen test for the film on the sets of one of Kapoor's productions.[38] Impressed with her spontaneity and improvisation, Kapoor cast her in the part.[39] The film, which was named Bobby, was released in September 1973. It starred Kapoor's son Rishi Kapoor as Raj Nath, the son of a wealthy Hindu businessman, and Kapadia was given the title role of Bobby Braganza, the teenage daughter of a Christian fisherman from Goa. The story follows the love affair between Raj and Bobby in the face of his parents' disapproval of their relationship due to class prejudice.[40][41]

Bobby was a major commercial success and Kapadia was lauded for her performance, which won her the Filmfare Award for Best Actress (tied with Jaya Bhaduri for Abhimaan).[41][42] Qurratulain Hyder of The Illustrated Weekly of India noted she acted with "natural ease and freshness".[43] Several of Kapadia's lines in the film became popular, particularly, "Mujhse dosti karoge?" ("Will you be my friend?"),[44] and the "miniskirts, midriff-baring polka dot shirts, and fabled red bikini" she wore made her a youth fashion icon in India.[45][46][47] Consequently polka-dotted dresses were often referred to as "Bobby Print".[48][49] Bhawana Somaaya of The Hindu credits Kapadia with starting the merchandising of film memorabilia in India, and Mukesh Khosla of The Tribune said Bobby established her as a "cult figure" because she led the fashion trends.[50][51] In later years, Kapadia credited Raj Kapoor for her development as an actor: "The sum total of me today as an actress, whatever I am, is Raj Kapoor".[15] In 2008, Raja Sen from the web portal Rediff.com ranked her performance in Bobby as the fourth-best female debut of all-time in Hindi cinema: "An elfin little girl with big, lovely eyes, nobody quite portrayed innocence as memorably as Dimple in her first outing. She was candid, striking, and a true natural ... here was a girl who would redefine glamour and grace, and make it look very, very easy indeed."[52]

Comeback and early fluctuations (1984–1986)Edit

Kapadia returned to acting in 1984, two years after her separation from Khanna, saying she had a personal need to prove her own capabilities to herself.[17][15] Over the next decade, she became one of the leading female actors in Hindi cinema.[1][53] Her first post-hiatus film was Saagar; a mutual friend notified the director Ramesh Sippy about Kapadia's willingness to return to acting. She considered her screen test for the film unsuccessful because she was "literally shivering" while performing it, but Sippy cast her to play the lead part opposite her Bobby co-star Rishi Kapoor. The film was intended to be her comeback vehicle but its one-year delay meant several of her later projects were released before, the first of which was Zakhmi Sher (1984).[15][22]

Other films released before Saagar include Manzil Manzil (1984), Aitbaar (1985) and Arjun (1985). Kapadia appeared opposite Sunny Deol in Manzil Manzil, a drama that was directed by Nasir Hussain. While speaking of her positive experience during the making of the film, she felt uncomfortable performing the routine song-and-dance nature of the part.[15] Her work was deemed ineffective by Trade Guide, and The Illustrated Weekly of India reported her career prospects entirely depended upon the fortunes of her next few projects.[54] Kapadia received positive reviews for her part in Mukul Anand's Hitchcockian thriller Aitbaar.[55][15][56] She starred as Neha, a wealthy young woman whose greedy husband (Raj Babbar) plots to murder her. Discussing her performance, she said she was "a bag of nerves" while filming, which benefitted her performance because her own state coincided with her character's inner turmoil.[15] She was cast opposite Sunny Deol for a second time in Rahul Rawail's action film Arjun; it was her first commercial success since her return to films.[56][57]

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