Beethoven: Cello Sonatas and Variations / Duo Sinossi

Beethoven: Cello Sonatas and Variations / Duo Sinossi

Sonata No. 1 in F Major, Op. 5 No. 1
00:00 I. Adagio sostenuto - Allegro
18:27 II. Rondo: Allegro vivace

Sonata No. 2 in G Major, Op. 5 No. 2
25:41 I. Adagio sostenuto ed espressivo - Allegro
46:26 II. Rondo: Allegro

12 Variations in G Major on 'See the conquering hero comes', B. 157, WoO 45
55:34 Thema. Allegretto
56:26 Variation I
57:11 Variation II
57:56 Variation III
58:41 Variation IV
59:39 Variation V
1:00:35 Variation VI
1:01:20 Variation VII
1:02:03 Variation VIII
1:02:50 Variation IX
1:03:42 Variation X. Allegro
1:04:25 Variation XI. Adagio
1:07:49 Variation XII. Allegro

12 Variations in F Major on 'Ein Mädchen oder Weibchen', Op. 66
1:08:58 Thema. Allegretto
1:09:31 Variation I
1:10:04 Variation II
1:10:40 Variation III
1:11:11 Variation IV
1:11:51 Variation V
1:12:25 Variation VI
1:12:57 Variation VII
1:13:45 Variation VIII
1:14:16 Variation IX
1:14:55 Variation X. Adagio
1:16:12 Variation XI. Poco adagio, quasi Andante
1:17:16 Variation XII. Allegro

Sonata No. 3 in A Major, Op. 69
1:19:31 I. Allegro ma non tanto
1:32:34 II. Scherzo (Allegro molto)
1:38:12 III. Adagio cantabile - Allegro vivace

7 Variations in E-Flat Major on 'Bei Maennern, welche Liebe fühlen' , B. 158, WoO 46
1:47:06 Theme. Andante
1:48:00 Variation I
1:48:40 Variation II
1:49:29 Variation III
1:50:24 Variation IV
1:51:48 Variation V. Si prenda il tempo un poco piu vivace
1:52:30 Variation VI. Adagio
1:55:12 Variation VII. Allegro, ma non troppo

Sonata No. 4 in C Major, Op. 102 No. 1
1:57:14 I. Andante - Allegro vivace
2:04:55 II. Adagio - Tempo d'andante - Allegro vivace

Sonata No. 5 in D Major, Op. 102 No. 2
2:12:01 I. Allegro con brio
2:18:50 II. Adagio con molto sentimento d'affetto
2:27:18 III. Allegro. Allegro fugato

Marianna Sinagra, Cello
Lorenzo Cossi, Piano

The Duo Sinossi, with Marianna Sinagra at the cello and Lorenzo Cossi at the piano, offers a reading of the five compositions, plus the three sets of variations, that underscores the richness of contrapuntal textures and instrumental brilliance.
The recording was made with two pairs of Sennheiser microphones.

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An OnClassical production, (P)(C)2021

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