Making a Gelatin Emulsion
Did you know the substance that allows us to capture images on glass, is the same as what we use on 35mm film and other light-sensitive products? Nick Brandreth, Historic Process specialist at the George Eastman Museum, shares what goes into making a gelatin emulsion, one of the magical ways we can capture images.
Видео Making a Gelatin Emulsion канала George Eastman Museum
Видео Making a Gelatin Emulsion канала George Eastman Museum
Показать
Комментарии отсутствуют
Информация о видео
Другие видео канала
Making a BASIC Silver Gelatine Emulsion | Step by Step Tutorial | Analog PhotographyThe Gelatin Silver Process - Photographic Processes Series - Chapter 10 of 12Darkroom Magic: Salt PrintingThe Technirama Process - Technicolor 100Orotone ProcessReverse developing Glass Dry Plates to direct POSITIVE | Advanced Film Photography | Foma EmulsionThe Woodburytype - Photographic Processes Series - Chapter 9 of 12Behind the Film - Inside the ILFORD factoryPhoto Chemistry: Silver Printing on Cotton PaperHow To Develop Your Own Pinhole Camera PhotographsThe Two Color Process - Technicolor 100Film developers D-76, Rodinal, FX-1 and Pyrocat HD / Vlog 58How Does Film ACTUALLY Work? (It's MAGIC) [Photos and Development] - Smarter Every Day 258Gelatine Grounds or "Gelatin Size"The Digital Negative - Part One - IntroductionGelatine coating for the Oilprint processGel Plate Resist Image Transfer Experiments with Laser PrintsGeorge Eastman "The Wizard of Photography" Documentary (Part 1/3)Coating Glass Dry-Plates with Silver Gelatine Emulsion | Tutorial | Large Format Photography