Franz Liszt - Ave Maria (Die Glocken von Rom), S.182 (Richter)

Played by Sviatoslav Richter

Subtitled "Die Glocken von Rom (The Bells of Rome), Liszt's Ave Maria was composed in 1862 at the request of Dr. Siegmund Lebert and Dr. Ludwig Stark who established the Stuttgart Conservatory. This work was written for the fourth part of a series of piano tutors, Grosse theoretish-praktische Klavierschule, assembled by Drs. Lebert and Stark for Conservatory students. A short but moving work, this piece shows Liszt's leanings toward a compositional style that showcases the virtuoso abilities of the pianist and yet does not overshadow the simple theme of the prayer upon which this work is based.
Written in three distinct sections, this Ave Maria begins with a lyrical theme simply expressed in the treble line which is then developed into a harp-like presentation and supported by rolling arpeggios in the bass line. This is so artfully done that the words of Sir Walter Scott's poem can almost be heard. As the first section closes, Lizst leads the listener onward by introducing the pedal tones that are the basis for the second section. The middle portion of this composition is anchored by these pedal tones and carried by a throbbing heartbeat rhythm in the left hand that supports a sweetly melodic line in the right. The second section then builds in intensity to a grand and intricate chord progression which reflects the passion of sacred adoration. The closing section is a brief but solemn amen to this emotionally charged work and shows Liszt's ability to imbue his compositions with the essence of the works that inspired them.

Franz Liszt - Ave Maria (Die Glocken von Rom), S.182
https://imslp.org/wiki/Special:ImagefromIndex/04482/qror

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