The Competition Panels and the Florentine Renaissance
Filippo Brunelleschi, The Sacrifice of Isaac, 1401–02, bronze, gilding, each 53.3 x 43.2 cm (Museo Nazionale del Bargello, Florence)
Lorenzo Ghiberti, The Sacrifice of Isaac, 1401–02, bronze, gilding, each 53.3 x 43.2 cm (Museo Nazionale del Bargello, Florence)
The Competition Panels for the doors of the Florence Baptistry, 1401–02, commissioned by the Arte del Calimala (Museo Nazionale del Bargello, Florence)
speakers: Dr. Beth Harris and Dr. Steven Zucker
Видео The Competition Panels and the Florentine Renaissance канала Smarthistory
Lorenzo Ghiberti, The Sacrifice of Isaac, 1401–02, bronze, gilding, each 53.3 x 43.2 cm (Museo Nazionale del Bargello, Florence)
The Competition Panels for the doors of the Florence Baptistry, 1401–02, commissioned by the Arte del Calimala (Museo Nazionale del Bargello, Florence)
speakers: Dr. Beth Harris and Dr. Steven Zucker
Видео The Competition Panels and the Florentine Renaissance канала Smarthistory
Показать
Комментарии отсутствуют
Информация о видео
Другие видео канала
Chartres CathedralUnfinished business—Michelangelo and the PopeTurning oil paint into gold: Petrus Christus, A Goldsmith in his ShopDeësis mosaic, Hagia Sophia, IstanbulHow an Amateur Built the World's Biggest DomeBernini, Pluto and ProserpinaGhiberti, "Gates of Paradise," east doors of the Florence BaptisteryAttic Black-Figure: Exekias, amphora with Ajax and Achilles playing a gameVirtue, pride, and magnificence: the Medici Palace in FlorenceA brief history of representing of the body in Western sculptureHow to create a Realistic Faux Bronze FinishApproaching the divine, Il Gesù, RomeRome's history in four faces at The MetPicturing salvation — Chora’s brilliant Byzantine mosaics and frescoesGiotto, Virgin and Child enthroned (Ognissanti Madonna)Verrocchio: Sculptor and Painter of Renaissance FlorenceRome before the Empire, the Temple of PortunusDeath and salvation in renaissance Florence: Masaccio, The Holy TrinityThe Rise and Fall of the Medici FamilyHow to recognize Baroque art