Art Mix in "Rawhide Terror" (1934)

A decade before the main events, a band of ruthless renegades disguised as Indians attack and murder a frontier family, leaving two brothers separated in the chaos and forced onto different paths. The killers eventually abandon their outlaw lives and settle in the small town of Red Dog under new identities, concealing their violent past. Years later, the town is shaken by a series of mysterious murders as a shadowy figure known only as the Rawhide Terror begins systematically hunting down the former renegades.

Among the townspeople is Tom Blake (William Desmond), who has grown into a steady and determined man, unaware that his lost family is tied to the violence resurfacing around him. His sister Betty Blake (Frances Morris) remains close to him, while their lives intersect with others in the community, including Brent (William Barrymore) and his young son Jimmy Brent (Tommy Bupp). Suspicion spreads rapidly as the killings continue, and Sheriff (Edmund Cobb) struggles to maintain order while tracking a killer who seems to act with personal purpose.

Al (Art Mix), a ranch hand connected to the Blake family, becomes increasingly entangled in the unfolding mystery, as do figures such as the Renegade leader (George Holt) and his former accomplices, who now fear exposure and retribution. Deputy Hack (Herman Hack) assists in the investigation, while townsmen like Pappy, also known as Banker (Fred Parker), observe the growing unrest. As each victim is revealed to have been part of the original murderous gang, it becomes clear that the Rawhide Terror is driven by vengeance tied to the past.

Tension mounts as the surviving renegades attempt to uncover the identity of their hunter before they are all eliminated. The truth gradually emerges that the Rawhide Terror is not a random killer but someone connected to the long-ago crime that destroyed the family. In the final confrontation, the identities of the separated family members are revealed, bringing them back together. The avenger is exposed as one of the lost children, driven by years of anger and loss, and the cycle of revenge reaches its climax.

With the renegades dead or captured, the truth of the past is laid bare before the town. Justice is restored, though at a personal cost, as the surviving family members must come to terms with the consequences of vengeance. The film concludes with order returning to Red Dog, while the family faces an uncertain but hopeful future shaped by the revelations of the past.

A 1934 American Black & White horror Western film directed by Bruce M. Mitchell and Jack Nelson, produced by Victor Adamson, screenplay by Jack Nelson, story by Victor Adamson, cinematography by A.J. Fitzpatrick and Bert Longenecker, starring Art Mix, Edmund Cobb, William Desmond, William Barrymore, Frances Morris, George Holt, Bill Patton, Herman Hack, Tommy Bupp, and Fred Parker. Released by Superior Talking Pictures.

Edmund Fessenden Cobb (1892- 1974), born in Albuquerque, New Mexico, was an American actor who appeared in more than 620 TV shows, movies and serials between 1912 and 1966. The son of William Henry Cobb and Eddie (Edmundie) Ross. His maternal grandfather, Edmund G. Ross, was a newspaper editor, a governor of the New Mexico territory, a senator from Kansas, and a leader in the abolitionist movement. Despite his grandfather's efforts to lead Cobb into a career in politics, an initial effort in acting in a locally produced play turned him in that direction for a career. When he was 18, he worked for the St. Louis Motion Picture Company when it made a film in Albuquerque. One of his earliest roles was a bit part in the Essanay Studios film "A Pueblo Legend" (1912). Much of Cobb's work in films came after he signed with Universal in 1925. He continued to act after sound came into films, but in less prominent roles. His 64 serials were more than those of any other actor. An interesting part of 'this film is in getting to see Edmund Cobb, a perennial heavy, appear as the action hero and romantic lead.

Writer-producer Victor Adamson, better known as Denver Dixon, was the father of drive-in filmmaker Al Adamson, the director of another much maligned western, "Five Bloody Graves" (1969).

Originally a movie serial, "The Pueblo Terror". After a production halt, this was converted to a B-western. Just as the main titles fade to black, the beginning of a dissolve to "Episode 2, The Terror Returns" is visible.

This was the final screen collaboration between Victor Adamson and George Kesterson (under his stage name Art Mix), the latter of whom Adamson's company was named after.

A Poverty Row Western about a weird, revenging figure with a rawhide strap across his face, made by filmmakers who seemed to understand the pleasures of pulp fiction without having any idea how to put it on the screen. Convincingly eerie, in no small measure due to a potent performance by the mystery killer. Recommended for connoisseurs of Hollywood's bottom-of-the barrel.

Видео Art Mix in "Rawhide Terror" (1934) канала Donald P. Borchers