Rode VideoMic Pro vs. Takstar SGC-698, short audio comparison
Both mics were mounted on a Panasonic FZ300. Audio was recorded in the middle of a normal sized living room, with large stereo speakers at the wall facing the camera. (Important: speakers were not angled towards the camera / microphones.) The camera was static for both microphones, except from 45 seconds on, where I move the camera towards the speakers.
SPL was around 90 dB; volume was normalized in production, since the Rode has a around 6 dB higher sensitivity.
The Rode obviously has a much tighter directivity, especially at high frequency, and sounds muffled as a result. Only at the end of the video, when/where I move on axis to the speakers, do the high frequencies shine through.
The Takstar seems almost omnidirectional, and sounds brighter, but also more echo-y, as a result.
Видео Rode VideoMic Pro vs. Takstar SGC-698, short audio comparison канала stoneeh
SPL was around 90 dB; volume was normalized in production, since the Rode has a around 6 dB higher sensitivity.
The Rode obviously has a much tighter directivity, especially at high frequency, and sounds muffled as a result. Only at the end of the video, when/where I move on axis to the speakers, do the high frequencies shine through.
The Takstar seems almost omnidirectional, and sounds brighter, but also more echo-y, as a result.
Видео Rode VideoMic Pro vs. Takstar SGC-698, short audio comparison канала stoneeh
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