Mamiya RB67 Video Manual 1 of 2: Overview
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Mamiya developed the RB 67, their second of their three major professional camera lines, after many years of successively improving their 6X6 professional TLR line. The RB67 became, quickly, the professional 6X7 format workhorse of choice for many photographers, especially those producing high volumes of work. The RB67 used in this video was previously owned by a portrait studio that churns out yearbook images, prom portraits, and has a retail location as well. Insofar as I know, that shop purchased this camera new and used it until I bought it five four or five years before I made this video. My RB67 has seen extensive use and, accounting for a single broken spring this past winter, has generally worked without issue the entire time I've had it. These are great and reliable cameras that continue to produce wonderful images when used by photographers who understand how to make the most of them.
This is video 1 of 2 and covers all of the cameras features and buttons. Video 2 explores how each item works in detail..
Link to Video 2:
https://youtu.be/Y8n1bsYJK7w
Video Index:
Skip the Intro: 0:15
RB67 Overview: 0:43
Mamiya RB67 Features -- Top: 5:47
Mamiya RB67 Features -- Front: 8:11
Mamiya RB67 Features – Back: 8:41
Mamiya RB67 Features -- Sides: 9:44
Mamiya RB67 Features -- Bottom: 11:11
Mamiya RB67 Features -- Inside: 12:29
Notes on the Mamiya RB67: 13:45
Camera Dont’s: 15:55
Like this Video and Subscribe to the David Hancock Channel: 18:20
http://www.cameramanuals.org/mamiya_pdf/mamiya_rb67_professional.pdf
http://www.butkus.org/chinon/mamiya/mamiya_rb67_professional/mamiya_rb67_professional.htm
http://rb67.helluin.org/
http://camera-wiki.org/wiki/Mamiya_RB67
http://www.reznitsky.info/Mamiya/Comchart.htm
https://en.wikipedia.org/wiki/List_of_Mamiya_products#6%C3%974.5_cm_format
http://www.photoethnography.com/ClassicCameras/MamiyaRB67.html
http://www.mamiyaleaf.com/assets/files/documentation/RB67_Pro-S_v7.pdf
My Patreon Page:
https://www.patreon.com/DavidHancock
Follow me on Twitter:
https://twitter.com/_David_Hancock_
Gear I used for Filming and Editing:
Video Capture and Film Digitization- Pentax K-3 (http://www.ricoh-imaging.co.jp/english/products/k-3/) or Pentax K-1 (http://www.ricoh-imaging.co.jp/english/products/k-1/)
Secondary Capture- Sony CX330 (http://www.sony.com/electronics/camcorders/t/handycam-camcorders)
Lens- Pentax 31mm FA Limited (http://www.pentaxforums.com/lensreviews/SMC-Pentax-FA-31mm-F1.8-Limited-Lens.html)
Off-camera Audio- Tascam DR-70D or Tascam DR-60D MKII and Tascam DR-05 (http://tascam.com/product/dr-70d/ or http://tascam.com/product/dr-60dmkii/ and http://tascam.com/product/dr-05/)
Video Editing- Sony Movie Studio Platinum (http://www.vegascreativesoftware.com/us/vegas-movie-studio-product-comparison/)
Audio Processing- Adobe Soundbooth (https://www.adobe.com/sea/products/soundbooth/)
My Photography Website:
http://www.5119photography.com/
Follow me on Google+:
https://plus.google.com/+DavidHancock
Видео Mamiya RB67 Video Manual 1 of 2: Overview канала David Hancock
Mamiya developed the RB 67, their second of their three major professional camera lines, after many years of successively improving their 6X6 professional TLR line. The RB67 became, quickly, the professional 6X7 format workhorse of choice for many photographers, especially those producing high volumes of work. The RB67 used in this video was previously owned by a portrait studio that churns out yearbook images, prom portraits, and has a retail location as well. Insofar as I know, that shop purchased this camera new and used it until I bought it five four or five years before I made this video. My RB67 has seen extensive use and, accounting for a single broken spring this past winter, has generally worked without issue the entire time I've had it. These are great and reliable cameras that continue to produce wonderful images when used by photographers who understand how to make the most of them.
This is video 1 of 2 and covers all of the cameras features and buttons. Video 2 explores how each item works in detail..
Link to Video 2:
https://youtu.be/Y8n1bsYJK7w
Video Index:
Skip the Intro: 0:15
RB67 Overview: 0:43
Mamiya RB67 Features -- Top: 5:47
Mamiya RB67 Features -- Front: 8:11
Mamiya RB67 Features – Back: 8:41
Mamiya RB67 Features -- Sides: 9:44
Mamiya RB67 Features -- Bottom: 11:11
Mamiya RB67 Features -- Inside: 12:29
Notes on the Mamiya RB67: 13:45
Camera Dont’s: 15:55
Like this Video and Subscribe to the David Hancock Channel: 18:20
http://www.cameramanuals.org/mamiya_pdf/mamiya_rb67_professional.pdf
http://www.butkus.org/chinon/mamiya/mamiya_rb67_professional/mamiya_rb67_professional.htm
http://rb67.helluin.org/
http://camera-wiki.org/wiki/Mamiya_RB67
http://www.reznitsky.info/Mamiya/Comchart.htm
https://en.wikipedia.org/wiki/List_of_Mamiya_products#6%C3%974.5_cm_format
http://www.photoethnography.com/ClassicCameras/MamiyaRB67.html
http://www.mamiyaleaf.com/assets/files/documentation/RB67_Pro-S_v7.pdf
My Patreon Page:
https://www.patreon.com/DavidHancock
Follow me on Twitter:
https://twitter.com/_David_Hancock_
Gear I used for Filming and Editing:
Video Capture and Film Digitization- Pentax K-3 (http://www.ricoh-imaging.co.jp/english/products/k-3/) or Pentax K-1 (http://www.ricoh-imaging.co.jp/english/products/k-1/)
Secondary Capture- Sony CX330 (http://www.sony.com/electronics/camcorders/t/handycam-camcorders)
Lens- Pentax 31mm FA Limited (http://www.pentaxforums.com/lensreviews/SMC-Pentax-FA-31mm-F1.8-Limited-Lens.html)
Off-camera Audio- Tascam DR-70D or Tascam DR-60D MKII and Tascam DR-05 (http://tascam.com/product/dr-70d/ or http://tascam.com/product/dr-60dmkii/ and http://tascam.com/product/dr-05/)
Video Editing- Sony Movie Studio Platinum (http://www.vegascreativesoftware.com/us/vegas-movie-studio-product-comparison/)
Audio Processing- Adobe Soundbooth (https://www.adobe.com/sea/products/soundbooth/)
My Photography Website:
http://www.5119photography.com/
Follow me on Google+:
https://plus.google.com/+DavidHancock
Видео Mamiya RB67 Video Manual 1 of 2: Overview канала David Hancock
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