BeBop | The History of Jazz | Bebop Era Mix Jazz & Swing

00:00:00 Charlie Parker Blue Bird (1947)
00:02:50 Dizzy Gillespie Anthropology (1948)
00:05:26 Miles Davis All-Stars Milestones (1949)
00:08:01 Tadd Dameron The Squirrel (1948)
00:10:58 Charlie Parker Ah-Leu-Cha (1948)
00:13:54 Bud Powell Celia (1950)
00:16:56 Dizzy Gillespie Salt Peanuts (1945)
00:20:11 Charlie Parker Billie's Bounce (1945)
00:23:19 Red Norvo Bop! (1945)
00:26:23 Miles Davis And His Orchestra Venus De Milo (1950)
00:29:32 Tadd Dameron Symphonette (1949)
00:32:38 Wardell Gray Twisted (1949)
00:36:05 Dizzy Gillespie A Night In Tunisia (1946)
00:39:07 Charlie Parker Bird's Nest (1947)
00:41:52 Sarah Vaughan What A Diff'rence A Day Made (1948)
00:44:38 Django Reinhardt - Babik (Bi-Bop) (1947)
00:47:23 Dizzy Gillespie Oop Bop Sh'bam (1947)
00:50:22 Thelonious Monk 'Round About Midnight (1948)
00:53:30 Charlie Parker Donna Lee (1947)
00:56:05 Dizzy Gillespie 52nd Street Theme (1947)
00:59:07 Charlie Parker Sextet Air Conditioning (1950)
01:02:06 Miles Davis Budo (1949)
01:04:41 Charlie Parker Scrapple From The Apple (1948)
01:07:35 Fats Navarro Goin To Minton's (1947)
01:10:28 Dizzy Gillespie Groovin' High (1947)
01:13:03 Charlie Parker Constellation (1948)
01:15:30 Bud Powell Tempus Fugue It (1950)

Conceived & Selected By Classical Tunes
Audio Recorded From Original Vinyls/Tapes And Digital Remastered For This Compilation In CT Studios.
(P) (C) 2021 Classical Tunes
All Rights Reserved

Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States, which features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody.
Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing style with a new "musician's music" that was not as danceable and demanded close listening. As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodies. Bebop groups used rhythm sections in a way that expanded their role. Whereas the key ensemble of the swing era was the big band of up to fourteen pieces playing in an ensemble-based style, the classic bebop group was a small combo that consisted of saxophone (alto or tenor), trumpet, piano, guitar, double bass, and drums playing music in which the ensemble played a supportive role for soloists. Rather than play heavily arranged music, bebop musicians typically played the melody of a composition (called the "head") with the accompaniment of the rhythm section, followed by a section in which each of the performers improvised a solo, then returned to the melody at the end of the composition.
Some of the most influential bebop artists, who were typically composer-performers, are: alto sax player Charlie Parker; tenor sax players Dexter Gordon, Sonny Rollins, and James Moody; clarinet player Buddy DeFranco; trumpeters Fats Navarro, Clifford Brown, Miles Davis, and Dizzy Gillespie; pianists Bud Powell, Mary Lou Williams, and Thelonious Monk; electric guitarist Charlie Christian, Joe Pass and drummers Kenny Clarke, Max Roach, and Art Blakey.

Image licensed from Shutterstock - All Rights Reserved

#bebop #jazz #parker

Видео BeBop | The History of Jazz | Bebop Era Mix Jazz & Swing канала Classical Tunes