How To Frame A Shot: The Farewell

MotionElements Unlimited Subscription
➨ https://www.motionelements.com/subscribe
Unlimited downloads of After Effects, Premiere, FCPX & DaVinci Resolve templates, videos, music and more
Easy licensing - use forever with no additional licensing fees required
This video was sponsored by MotionElements.

What is the best perspective to visually represent The Farewell - a complex, energetic, subtle and nuanced story? For Lulu Wang and cinematographer Anna Franquesa Solano the answer was surprisingly easy: keep things simple, clean and minimal.

In this video I’ll break down some foundational rules of composition, analyse how the filmmakers arrived at their perspective for covering scenes in The Farewell and go over specific examples of how they framed shots to tell the story.

PATREON: https://www.patreon.com/indepthcine
WEBSITE: https://www.graykotze.com/
INSTAGRAM: https://www.instagram.com/indepthcine/
DISCORD: https://discord.gg/pxP8Yzc

Source: https://filmmakermagazine.com/106891-make-this-conversation-in-a-small-room-with-white-walls-work-dp-anna-franquesa-solano-on-the-farewell/#.X5wVtlMzYcg
Source: https://www.indiewire.com/2020/01/the-farewell-lulu-wang-widescreen-filmmaker-toolkit-podcast-episode-106-1202200034/

List Of Films Featured:
The Farewell / 别告诉她 (2019)
Force Majeure (2014)
Still Walking (2008)

0:00 Introduction
1:18 Composition Rules
6:43 Visual Perspective
11:02 Framing Examples
13:50 Conclusion

Music:
Emmit Fenn - ‘Wander’
Jesse Gallagher - ‘Mer-Ka-Ba’
Claudio Laucci - ‘Glass’
Michael FK - ‘Molecule’
Jonny Hughes - ‘Fortress’

Music Courtesy Of Artlist: https://artlist.io/artlist-70446/?artlist_aid=IDC_1162&utm_source=affiliate_p&utm_medium=IDC_1162&utm_campaign=IDC_1162

Видео How To Frame A Shot: The Farewell канала In Depth Cine