Bill Evans & Monica Zetterlund - Waltz for Debby (1964 Album)

Waltz for Debby (aka Waltz for Debbie) is a 1964 album by the American jazz pianist Bill Evans and the Swedish singer Monica Zetterlund. It was reissued by Verve Records in 2006.

Personnel: Bill Evans (p) Monica Zetterlund (voc) Chuck Israels (bs) Larry Bunker (dr)
Released: 1964
Recorded: August 29, 1964 Stockholm, Sweden
Label: Verve
Producer: -

0:00 "Come Rain or Come Shine" (Harold Arlen, Johnny Mercer)
4:40 "A Beautiful Rose (Jag Vet en Dejlig Rosa)
7:38 "Once Upon a Summertime" (Eddie Barclay, Michel Legrand, Johnny Mercer)
10:36 "So Long Big Time" (Harold Arlen, Dory Previn)
14:28 "Waltz for Debby (Monicas Vals)" (Bill Evans, Beppe Wolgers)
17:15 "Lucky to Be Me" (Leonard Bernstein)
20:51 "Sorrow Wind (Vindarna Sucka)
23:54 "It Could Happen to You" (Johnny Burke, Jimmy Van Heusen)
26:52 "Some Other Time" (Leonard Bernstein, Betty Comden, Adolph Green)
32:30 "In the Night (Om Natten)" (Olle Adolphson)

An oddity in Bill Evans' catalog, this 1964 date places the Swedish jazz vocalist Monica Zetterlund alongside the Evans Trio (with Chuck Israels on bass and Larry Bunker on drums). Still, the match is seemingly perfect. Evans' lyricism is well suited to a breezy, sophisticated songstress like Zetterlund. There is an iciness on this recording, but it is difficult to decipher if it is in the performance or in the engineering where she seems to be way out in front of the band, when she was really in the middle of all the musicians in the studio. This is a minor complaint, however, as the tune selection and decorum of these sessions are quite lovely. From the opener "Come Rain or Come Shine" through the Swedish ballad "A Beautiful Rose" and the achingly gorgeous delivery of "Once Upon a Summertime," it's as if Zetterlund were destined to sing with Evans for a career instead of an album. For his part, Evans is very relaxed, allowing the lyrics to feed his musing on the simple, yet elegant harmonics. The Swedish version of "Waltz for Debbie" is a true delight because Zetterlund's voice becomes another instrument, soloing over the top of Evans' stunning selection of comping chords. In all this is an odd but special item, one that is necessary -- for at least one listen -- by any serious fan of the pianist and composer.
AllMusic Review by Thom Jurek

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