The Magic of Tube Microphones! - Marc Daniel Nelson

➡️➡️Learn more about the magic of tube microphones here: https://producelikeapro.com/blog/the-magic-of-tube-microphones-marc-daniel-nelson/
➡️➡️Get Mixing 2 Eric Burdon songs with Grammy Nominee Marc Daniel Nelson here: https://transactions.sendowl.com/stores/14771/29183
➡️➡️ Click here to donate to MusiCares: https://www.grammy.com/musicares/donations
➡️➡️ Visit Marc's website here: http://Marcdanielnelson.com​

In this episode of MakeMineMusic, Marc Daniel Nelson shares his experiences and stories of
the magic of Tube Microphones. Join him in this fireside chat as he breaks down his personal
experiences with a vast array of microphones.

C12 by AKG

AKG’s C12 is one of the best-known tube condenser microphones in history. It is a side-address, large-diaphragm design based on AKG’s CK12 capsule, a 6072 dual-triode glass tube, and a transformer-coupled output circuit.

Telefunken ELA M 251 (AKG made)

Arguably one the most beautiful microphones ever produced, the TELEFUNKEN ELA M 251E has been featured on countless hits and classic recordings over the decades. Today, prime examples of vintage ELA M 250 / 251 (both “E” and “non E”) microphones have become rare and highly sought after jewels, commanding tens of thousands of dollars on the vintage market.

Neumann M50

The Neumann M50 is a pressure-type microphone with non-directional characteristics. After its introduction in 1950, the outstanding tonal quality and omnidirectional pattern of the Neumann M50 made it the gold standard for the recording of symphony orchestras, either with the single-microphone technique, a stereo pair, or the Decca Tree for three-track recordings.

Neumann M49

The M49 has a dual-diaphragm design, which allowed it to become the first condenser microphone with a remotely switchable pickup pattern having constant sensitivity: the psu doubles as a pattern selector, with a continuously-variable potentiometer for choosing cardioid, omni-directional, figure-eight or any position in-between the three.

Neumann U67

The U 67 was developed to replace the venerable U 47 as the company’s flagship large-diaphragm condenser. The U 67 is incredibly versatile. No source is off limits; its high SPL handling, ruler-flat frequency response, detailed midrange, and sweet, velvety character with a hint of delicate airiness make it a first-call mic for drums, piano, acoustic and electric guitars, strings, woodwinds, brass, percussion, and vocals.

Neumann M269

The M 269 is a large-diaphragm, multipattern tube condenser microphone. It is a variation of the Neumann U-67, developed as a way to sell the U-67 to the German broadcast market.

Neumann U47

The Neumann U 47 is the granddaddy of large diaphragm condenser microphones and features a legendary sound that has captured the vocal stylings of the greatest singers in the modern era. The Beatles used it to great effect, as did Frank Sinatra. From Ella to Adele, the Kingston Trio to the King of Pop, the vocal sounds of jazz and rock, folk and pop would not be the same without a U 47 in the studio.
❤️My Favorite Plugins:
➡️Waves MV2: https://waves.7eer.net/c/1205870/286864/4512?u=https://www.waves.com/plugins/mv2%23make-tracks-cut-through-the-mix-with-mv2
➡️Waves RBass: https://waves.7eer.net/c/1205870/286864/4512?u=https://www.waves.com/plugins/renaissance-bass
➡️Renaissance Vox: https://waves.7eer.net/c/1205870/286864/4512?u=https://www.waves.com/plugins/renaissance-vox
➡️Renaissance Compressor: https://waves.7eer.net/c/1205870/286864/4512?u=https://www.waves.com/plugins/renaissance-compressor
➡️Warren Huart IR Pack https://lancasteraudio.com/shop/ir-packs/warren-huart-ir-pack/
➡️Warren Huart Kemper Pack https://lancasteraudio.com/shop/kemper-packs/warren-huart-kemper-pack/

❤️GEAR:
➡️Stealth Sonics: https://stealthsonics.com/?aff=3
➡️UK Sound 1173: https://vintageking.com/uk-sound-1173?utm_source=warrenhuart&utm_campaign=uk1173&utm_content=uk1173
➡️Apollo x16: https://u.audio/apollox16-plap
➡️Apollo Twin: https://u.audio/apollotwin-plap

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