Debussy: Clair de Lune, Stanley Black, London Symphony Orchestra, (Vinyl)
Please press the subtitles botton (c/c) near the lower right of the window if you want to see the credits (Painting's title and painter's name) for all the paintings in this video. There is only one painting (at minute 3:41) for which I haven't been able to find who the author is, so please let me know if you know.
This is a vinyl recording of Debussy's Clair de Lune performed by the London Symphony Orchestra; arranged and conducted by Stanley Black. It is an arrangement because Mr. Black adds a few countermelodies not found in the original piano score and takes a few liberties with the expression, but overall the final result is awesome and effective. Although there are many orchestrations of this piece (among them a well-known one by Stokowski) I particularly love this arrangement because the orchestra sounds large, but the interpretation is always slow and delicate (or let's say, never too loud, always within the boundaries and the mood that the title of the piece suggests). Also listen to the emphasis on the basses, and the subtle building of emotion achieved with appropriate phrasing! Other highlights are the way the main theme comes back (at 3:45); the violins playing so incredibly soft... and then the reaching of a climax at the end of the phrase with a particularly passionate and daring emphasis on the basses (4:21).
Видео Debussy: Clair de Lune, Stanley Black, London Symphony Orchestra, (Vinyl) канала Jorge Bennett
This is a vinyl recording of Debussy's Clair de Lune performed by the London Symphony Orchestra; arranged and conducted by Stanley Black. It is an arrangement because Mr. Black adds a few countermelodies not found in the original piano score and takes a few liberties with the expression, but overall the final result is awesome and effective. Although there are many orchestrations of this piece (among them a well-known one by Stokowski) I particularly love this arrangement because the orchestra sounds large, but the interpretation is always slow and delicate (or let's say, never too loud, always within the boundaries and the mood that the title of the piece suggests). Also listen to the emphasis on the basses, and the subtle building of emotion achieved with appropriate phrasing! Other highlights are the way the main theme comes back (at 3:45); the violins playing so incredibly soft... and then the reaching of a climax at the end of the phrase with a particularly passionate and daring emphasis on the basses (4:21).
Видео Debussy: Clair de Lune, Stanley Black, London Symphony Orchestra, (Vinyl) канала Jorge Bennett
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