Henry Purcell: Dido's Lament (Dido and Aeneas); Anna Dennis, soprano, with Voices of Music 4K UHD
Hi everyone~! Please consider a donation, https://www.voicesofmusic.org/donate.... and we will make more videos like this one :)
Dido's Lament, "When I am laid in earth," from Purcell's opera Dido and Aeneas, performed on original instruments. Anna Dennis, soprano, with Voices of Music. 4K ultra high definition video from the Great Poets concert, January, 2015.
Voices of Music FAQ
Q. How can I support Voices of Music?
A. Donate here: https://voicesofmusic.org/donate.html and we will make more
videos like this one :)
These videos cost thousands of dollars to make, and the money comes from
individual donors.
Q. Where can I learn more about this music?
A. You can visit our website, https://www.voicesofmusic.org/
Also, subscribe to our video channel! Just click on the logo on our videos.
Q. Where can we hear you play in concert?
A. We perform in the San Francisco Bay Area. For a concert schedule, visit
our website or join our mailing list https://www.voicesofmusic.org/
Q. Where can I buy CDs?
Our CDs are available on iTunes, Google, Amazon, CD Baby and just about
everywhere; you can also buy a CD in a jewel case from Kunaki:
https://www.voicesofmusic.org/cds.html
Q. What is Early Music performance, or historical performance?
A. We play on instruments from the time of the composers, and we use the
original music and playing techniques: it’s a special sound.
Q. Why are there no conductors?
A. Conductors weren’t invented until the 19th century; since we seek to
recreate a historical performance, the music is led from the keyboard or
violin, or the music is played as chamber music~or both :)
At the end of the 17th century, the English composer Henry Purcell wrote many compositions on a ground bass; this one is his best: each note is perfectly placed, and the deceptively simple lines of the string parts flow from one phrase to the other, creating an accompaniment that is at once homophonic and yet always made up of individual parts. The opening of the aria begins with the bass sounding a chromatic line spanning a fourth, a technique dating back to the chromatic fantasias of Dowland and Sweelinck in the early 17th century.
The meter and lines of the opening recitative are striking: four fragmented lines of text with syllables of nine, seven, eight and seven are reinforced with mismatched words which do not easily form a meter, creating a metrical dissonance; the disintegration of the formal conventions of poetry mirrors the imminent destruction of Dido. The tension and dissonance of the conflicting meters and lines is only resolved in the last line of the aria, which is classical iambic pentameter: "Remember me, but ah! forget my fate." The repetition of the last line creates the impression, both musically and textually, of a heroic couplet, accentuating the closure of Dido's final scene.
Voices of Music
Hanneke van Proosdij and David Tayler
Directors
Carla Moore & Gabrielle Wunsch, baroque violins
Lisa Grodin, baroque viola
Elisabeth Reed, baroque cello
David Tayler, archlute
Hanneke van Proosdij, baroque organ
Text by Nahum Tate, poet laureate
Recit
Thy hand, Belinda, darkness shades me,
On thy bosom let me rest,
More I would, but Death invades me;
Death is now a welcome guest.
Aria
When I am laid in earth
May my wrongs create
No trouble in thy breast;
Remember me, but ah! forget my fate,
Remember me, but ah! forget my fate.
#Purcell #Dido #DidosLament
Видео Henry Purcell: Dido's Lament (Dido and Aeneas); Anna Dennis, soprano, with Voices of Music 4K UHD канала Voices of Music
Dido's Lament, "When I am laid in earth," from Purcell's opera Dido and Aeneas, performed on original instruments. Anna Dennis, soprano, with Voices of Music. 4K ultra high definition video from the Great Poets concert, January, 2015.
Voices of Music FAQ
Q. How can I support Voices of Music?
A. Donate here: https://voicesofmusic.org/donate.html and we will make more
videos like this one :)
These videos cost thousands of dollars to make, and the money comes from
individual donors.
Q. Where can I learn more about this music?
A. You can visit our website, https://www.voicesofmusic.org/
Also, subscribe to our video channel! Just click on the logo on our videos.
Q. Where can we hear you play in concert?
A. We perform in the San Francisco Bay Area. For a concert schedule, visit
our website or join our mailing list https://www.voicesofmusic.org/
Q. Where can I buy CDs?
Our CDs are available on iTunes, Google, Amazon, CD Baby and just about
everywhere; you can also buy a CD in a jewel case from Kunaki:
https://www.voicesofmusic.org/cds.html
Q. What is Early Music performance, or historical performance?
A. We play on instruments from the time of the composers, and we use the
original music and playing techniques: it’s a special sound.
Q. Why are there no conductors?
A. Conductors weren’t invented until the 19th century; since we seek to
recreate a historical performance, the music is led from the keyboard or
violin, or the music is played as chamber music~or both :)
At the end of the 17th century, the English composer Henry Purcell wrote many compositions on a ground bass; this one is his best: each note is perfectly placed, and the deceptively simple lines of the string parts flow from one phrase to the other, creating an accompaniment that is at once homophonic and yet always made up of individual parts. The opening of the aria begins with the bass sounding a chromatic line spanning a fourth, a technique dating back to the chromatic fantasias of Dowland and Sweelinck in the early 17th century.
The meter and lines of the opening recitative are striking: four fragmented lines of text with syllables of nine, seven, eight and seven are reinforced with mismatched words which do not easily form a meter, creating a metrical dissonance; the disintegration of the formal conventions of poetry mirrors the imminent destruction of Dido. The tension and dissonance of the conflicting meters and lines is only resolved in the last line of the aria, which is classical iambic pentameter: "Remember me, but ah! forget my fate." The repetition of the last line creates the impression, both musically and textually, of a heroic couplet, accentuating the closure of Dido's final scene.
Voices of Music
Hanneke van Proosdij and David Tayler
Directors
Carla Moore & Gabrielle Wunsch, baroque violins
Lisa Grodin, baroque viola
Elisabeth Reed, baroque cello
David Tayler, archlute
Hanneke van Proosdij, baroque organ
Text by Nahum Tate, poet laureate
Recit
Thy hand, Belinda, darkness shades me,
On thy bosom let me rest,
More I would, but Death invades me;
Death is now a welcome guest.
Aria
When I am laid in earth
May my wrongs create
No trouble in thy breast;
Remember me, but ah! forget my fate,
Remember me, but ah! forget my fate.
#Purcell #Dido #DidosLament
Видео Henry Purcell: Dido's Lament (Dido and Aeneas); Anna Dennis, soprano, with Voices of Music 4K UHD канала Voices of Music
Показать
Комментарии отсутствуют
Информация о видео
Другие видео канала
Purcell: Dido and Aeneas (complete opera). San Francisco Girls Chorus & Voices of Music | 4K videoMarianne Beate Kielland sings Dido's lamentJessye Norman - A Portrait - When I Am Laid In Earth (PurcelHenry Purcell: Fairest Isle (King Arthur), Anna Dennis with Voices of Music 4K UHDJeff Buckley Dido's Lament (Re-mastered) HDDido's Lament (Purcell) Joyce DiDonatoHAENDEL : Lascia ch'io pianga, par Patricia Petibon.Mayo Nakano Piano Trio "Scabious" 4K UHD Video / 96kHz AudioTop 10 Saddest Songs by Henry PurcellHandel: Ombra mai fu (Serse); Christopher Lowrey, countertenor, Voices of Music 4K UHDVivaldi: Concerto in D Major RV 212 "St. Antonio," Alana Youssefian & Voices of Music 4K UHDPatricia Petibon - Purcell: 'When I am laid in earth' from Dido and Aeneas (Official Video)Purcell: Dido and Aeneas - L'Arpeggiata o.l.v. Christina Pluhar (Festival Oude Muziek Utrecht 2015)Purcell - Dido & Aeneas - When I am laid in earth (Dido's lament) Elin Manahan ThomasTop 10 Most Beautiful Songs by Henry PurcellVivaldi Four Seasons: Winter, complete; Cynthia Freivogel, Voices of Music RV 297 (L'Inverno) 4KLascia ch'io pianga (Händel's opera Rinaldo); Voices of Music with Kirsten Blaise, sopranoHandel: Sweet Bird (L'Allegro). Amanda Forsythe, Emi Ferguson & Voices of Music 4KMichael Praetorius: Dances from Terpsichore; Voices of Music 4K UHD