Richard Mock at KENTLER INTERNATIONAL Derek Aylward at SHRINE

James Kalm has pasted together a pair of visits to recently opened shows that present individual visions of expressionistic figuration from different generations, and in different media.
Richard Mock’s “The Cutting Edge,” at Kentler International Drawing Center, is a long overdue look at over three hundred linoleum block prints produced from the late 1970s until just before the artist’s death in 2006. With a piercing political wit, and a natural vocabulary of graphic form, using just black and white, Mock was an equal opportunity satirist, mischievously mocking (pun intended) the foibles of both the left and right.
Derek Aylward mashes together a sensibility tainted with the scruffy ruggedness of street art cartoons and graffiti. “Screen Door on a Submarine” presents this with a hefty portion of early modernist cubism, and Action Painting, left to simmer for a satisfying stew that might distract viewers from its subtle coloristic presence. A musical intro is provided by Sewage @spikesewage.com. These programs were recorded June 12, and 19, 2021#jameskalmroughcut #lorenmunk #kalmsees

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