Liszt - Piano Solo

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Liszt - Piano Solo

00:00 3 Études de concert, S. 144: No. 3, Un Sospiro
Luke Faulkner

05:46 Ständchen (Serenade), S. 560, No. 7
(Schubert/arranged for piano by Liszt)
Vadim Chaimovich

11:34 Liebesträume, S. 541: No. 3 in A-Flat Major
Giovanni Umberto Battel

17:20 Consolations, S. 172: No. 3, Lento placido
Luke Faulkner

21:22 Valse oubliée No. 1, S. 215/1
Vadim Chaimovich

24:25 Liebeslied "Widmung", S. 566
Luke Faulkner

Grandes études de Paganini, S. 141
28:00 No. 1, Prelude
33:07 No. 2, Andante Rogerio Tutti
38:38 No. 3, Allegretto "La campanella"
38:31 No. 4, Vivo
45:45 No. 5, Allegretto "La chasse"
49:06 No. 6, Quasi presto, a capriccio "Themes and Variations"
Rogerio Tutti

55:09 Années de pèlerinage I (Suisse), S. 160: No. 6, Vallée d'Obermann
Vadim Chaimovich

1:10:24 Mephisto Waltz No. 1, S. 514
Rogerio Tutti

Scherzo und Marsch, S. 177
1.23:16 Scherzo
1:29:58 Marsch
Giovanni Umberto Battel

Études d'exécution transcendante, S. 139
1:36:11 No. 4 in D Minor, Mazeppa
1:44:07 No. 5 in B-Flat Major, Feux follets
1:48:20 No. 7 in E-Flat Major, Eroica
1:53:11 No. 10 in F Minor, Allegro agitato molto
Giovanni Umberto Battel

Franz Liszt (Hungarian: Liszt Ferencz; October 22, 1811 – July 31, 1886) was a prolific 19th-century Hungarian composer, virtuoso pianist and conductor. Liszt gained renown in Europe during the early 19th century for his prodigious virtuosic skill as a pianist. He was a friend, musical promoter and benefactor to many composers of his time, including Frédéric Chopin, Richard Wagner, Hector Berlioz, Robert Schumann, Camille Saint-Saëns, Edvard Grieg, Ole Bull, Joachim Raff, Mikhail Glinka, and Alexander Borodin. As a composer, Liszt was one of the most prominent representatives of the New German School (Neudeutsche Schule). He left behind an extensive and diverse body of work in which he influenced his forward-looking contemporaries and anticipated many 20th-century ideas and trends. Some of Liszt’s most notable musical contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form, and making radical departures in harmony.

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