Mickey Mouse in Vietnam (1969) - [RESTORED REPLICA AUDIO IN HD]

ALL CREDITS TO @ThiccSteveYT TO RESTORE AND DIGITIZE THE PROJECT

APA citation: Savage, L and Glaser, M (1969-1970) "Short Subject. alias Mickey Mouse in Vietnam" in Max Cats and Whittesey Sledge Studios on Angry Arts Festival. 1. Oberhausen, Germany.

"Copyright Disclaimer, Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."

El derecho de autor y copyright constituyen dos concepciones sobre la propiedad literaria y artística. El primero proviene de la familia del derecho continental, particularmente del derecho francés, mientras que el segundo procede del derecho anglosajón (o common law). El derecho de autor se basa en la idea de un derecho personal del autor, fundado en una forma de identidad entre el autor y su creación. El derecho moral está constituido como emanación de la persona del autor: reconoce que la obra es expresión de la persona del autor y así se le protege. La protección del copyright se limita estrictamente a la obra, sin considerar atributos morales del autor en relación con su obra, excepto la paternidad; no lo considera como un autor propiamente tal, pero tiene derechos que determinan las modalidades de utilización de una obra.

Copyright and author's rights represent two distinct conceptions of literary and artistic property. The former originates from civil law systems, particularly French law, while the latter stems from common law. Author's rights are based on the idea of ​​a personal right of the author, founded on a form of identity between the author and their creation.

Moral rights are established as an emanation of the author's person: they recognize that the work is an expression of the author's personality and thus protect it. Copyright protection is strictly limited to the work itself, without considering the author's moral attributes in relation to their work, except for authorship; it does not consider the author as such, but grants them rights that determine how a work may be used.

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