Classical Music for Brain Power - Bach

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CLASSICAL MUSIC FOR BRAIN POWER
JOHANN SEBASTIAN BACH

01 Brandenburg Concerto No. 4 in G Major, BWV 1049:
I. Allegro 00:00
II. Andante 07:12
III. Presto 10:52
02 Brandenburg Concerto No. 5 in D Major, BWV 1050:
I. Allegro 15:56
II. Affettuoso 26:37
III. Allegro 32:15
Orchestra da Camera Fiorentina cond. by Giuseppe Lanzetta
▶ BUY Brandenburg Concertos No. 3, 4 & 5: http://bit.ly/2Hxlwek
03 Harpsichord Concerto No. 1 in D minor, BWV 1052 (Arr. for Piano)
I. Allegro 37:46
II. Adagio 45:59
III. Allegro 52:37
Stanislav Soloviev (piano), Metamorphose String Orchestra cond. by Pavel Lyubomudrov
▶ BUY Piano Concerto No. 1: http://bit.ly/2KhTSzG
04 Suite No. 2 in B Minor, BWV 1067:
I. Ouverture. Lentamente 1:00:39
II. Rondeau 1:08:25
III. Sarabande 1:09:54
IV. Bourrées 1:12:53
V. Double 1:14:53
VI. Minuetto 1:18:20
VII. Badinerie 1:19:36
Orchestra da Camera Fiorentina cond. by Giuseppe Lanzetta
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05 Brandenburg Concerto No. 3 in G Major, BWV 1048:
I. Allegro 1:20:56
II. Adagio 1:26:54
III. Allegro 1:27:20
Orchestra da Camera Fiorentina cond. by Giuseppe Lanzetta
06 Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande 1:32:04
Sarah Joy
▶ BUY Sarabande: http://bit.ly/2EGTuGO
07 The Well-Tempered Clavier, Book 1, Prelude and Fugue No 16 in G Minor, BWV 861 1:34:45
08 Ave Maria 1:39:34
Carlo Balzaretti (solo piano)
09 Orchestral Suite No. 3 in D Major, BWV 1068: II. Aria 1:41:18
10 Notebooks for Anna Magdalena Bach: Menuet in G Minor, BWV Anh. 114 1:47:40
Giovanni Umberto Battel (solo piano)
▶ BUY “Bach – Piano Solo”: http://bit.ly/2JrL0Gd

Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period. Bach enriched established German styles through his mastery of counterpoint, harmonic and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios and motets. He often adopted Lutheran hymns, not only in his larger vocal works, but for instance also in his four-part chorales and his sacred songs. He wrote extensively for organ and for other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works employ the genres of canon and fugue.

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